demon slayer: kimetsu no yaiba to the swordsmith village
Top irl professional players like Grubby, s4, jerax
have stomped other games purely due to skills carrying over from their signature games. But not failing even once to normal goblins is unrealistic. As for luck, I too played a Fire Emblem character Nephenee who's skill set enabled her to
survive fatal blows with 1Hp and land a critical hit back which in turn she could lifesteal off of. Might as well could have added lifesteal too for MC and complete the OP trifecta.
There's barely ANY strategy shown. MC just stomps monsters while at 3Vitality and max Luck. The most unrealistic aspect for a game. Including the uNiQuE rare monster, he survives for more than a few seconds without knowing anything about it's skills and strategies it employs. Imagine stomp[ing an Elden Ring boss on the first try without knowing anything about it prior. Worse he gets the equivalent of magic resistance end of the arc, like that is TOTALLY NOT defense.
It's particularly funny when MC at ep3 screams at beeg "unique" AI monsta something like "I'll get you BigMonsta! I'll get you for sure next time!! I'll get back my treefiddy with treefiddy Interest!".
^ "AKIRA: Vol. 1". Publishers Weekly. May 5, 2003.
Retrieved October 15, 2021. ^ a b "Akira Volume 1".
Especially true in the case of House of the Dead: OVERKILL, with the visuals having a clear grindhouse-movie look and feel. NiGHTS into Dreams. was partially influenced by European cultures and theater, with the Cirque du Soleil show Mystère being a specific influence. The sequel NiGHTS: Journey of Dreams takes it a step further by introducing a fictional version of London called Bellbridge and having a cast of British voice actors.
Samba de Amigo has a strong Mexican/Latin influence, right down to a good number of the songs being licensed Latin genre music. Toe Jam And Earl is influenced by hip-hop culture (the titular aliens are rappers, for one), and it
definitely shows in parts of the soundtrack. It also has gameplay inspired by Rogue and a lighter version of Starflight's science-fiction theme. Its concept was thought up by Greg Johnson, an American. Capcom is another Japanese creator with an extensive library of Western-influenced creations.
