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The story is primarily told through flashbacks rich in symbols of Frieren’s previous adventures that develop our characters and give them a general sense of direction, followed by an actual storyline acting on these flashbacks. The flashbacks are all succinct enough to remain interesting without feeling long-winded, and each and every flashback has a clear story purpose: whether that be as clear characterization or setting up Chekhov's guns for later. These Chekhov's guns are used perfectly in a way that guarantees you an “oh, *that’s* what that was for” moment every episode. Both of these positive aspects of the use of flashbacks are commonly botched in other anime in the genre, making Frieren just that much more impactful.
*Lightning round of praises*
The story is amazingly emotional, yet nuanced as it tackles heavier-than-normal topics for the genre with a degree of tact. It doesn’t try to be overtly shocking with big *gasp* moments or overtly emotional with moments that make you want to bawl your eyes out, instead, it maintains a constant level of impact on the viewer: a factor lost on some anime that have a degree of variance to their impact.
The characters are deep to the extent simply not found in most fantasy anime. The original party interacts with each other in a way that makes their friendship feel genuine: almost in a Konosuba-esque manner. The new party has fluid dynamics that can even foster a bit of comedy that never detracts from the actual story.
The animation is high quality without being overly showy or bombastic: almost in a way that reminds me of the first season of Mushoku Tensei (minus the cool bread-tearing scenes)
The op is yet another Yoasobi op with depressing ass lyrics atop an upbeat score. It admittedly took me a long time to warm up to it, but by episode 4 I recognized that it was amazing.

You Must've Worked Hard"
Transliteration: "Ase no Nioi ga Suru.

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Retrieved November 6, 2023. ^ Brinkhof, Tim (June 14, 2023). "A Show That Pits Japan Against the World Brings a Dark Past to Life". New Lines Magazine. Archived from the original on November 6, 2023. Retrieved November 6, 2023. ^ Brinkhof, Tim (June 14, 2023). "A Show That Pits Japan Against the World Brings a Dark Past to Life". New Lines Magazine. Archived from the original on November 6, 2023. Retrieved November 6, 2023. 32 20080707 Zero no Tsukaima: Princesses no Rondo TV, 2008Finished 12 eps, 24 min Action Adventure Comedy Fantasy Romance Ecchi Zero no Tsukaima: Princesses no Rondo Following his brave sacrifice in the war against Albion, Saito Hiraga is knighted and treated as an aristocrat, something that proves difficult for Louise Françoise Le Blanc de La Vallière. With their relationship no longer defined as the mighty Void mage and clueless familiar, she wonders what exactly this means for them. While venturing to a castle, Louise is ambushed by a powerful mage named Sheffield. Battling alone, the young mage nearly faces defeat until Saito makes his appearance. The mystical and unknown nature of Void magic seems to be at work in the battle, and Louise begins to believe in the possibility of another Void user. Moreover, she realizes that Saito's magical rune is fading, and so a new adventure begins as they search for the elf who revived Saito in the past.
Hiroyuki Asada took the place and was glade since he is a fan of Tezuka's work. Kobayashi said at the time, he knew the title, but did not read the original. Hyakkimaru for the competition that he drew in a week was set to be older than now, and at a meeting after that, Furuhashi said there are too many Egui expressions, and that the design was cute. On the other hand, Asada said, he decided to draw Hyakkimaru in a way that is closer to the original work by Tezuka. Kobayashi adored the design presented as, when the storyboards and scripts were made, it felt easy to empathize with such character. Meanwhile, Dororo was considered an easier work to design than Hyakkimaru.