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There is one exception to the lack of character shifts, that being when in episode 12 Hyakkimaru’s brother suddenly goes from someone torn on the moral quandary of his brother’s life vs the nation that thrived off his unwilling sacrifice, to someone hell-bent on killing him after failing to end a deal between the demons who cursed Hyakkimaru, and his father who made a pact with them for the sake of power and a prosperous nation. Apart from that moment, you can predict every character’s archetype and actions the moment you see them. The only recurring character with anything to him is the guy that took care of Hyakkimaru for most of his life: Jukai. He has a genuinely horrific backstory that informs his somber nature and constant need to seek out ways for his craft to be used in ways that compliment life, something he feels he’s stuck with due to not having the right to die like everyone around him does.
At this point, I’ll just list a few other issues with the writing. The characters arbitrarily doing stupid things for the sake of the plot in the second half, such as Dororo randomly falling for a trap door in a seemingly abandoned shack in episode 15 despite her being a trickster character who would never be this gullible, or Hyakkimaru not even thinking to chisel the rock trapping Dororo’s arm to free her as she’s drowning in episode 20. The old man conveniently shows up as a deus ex machina, and his first instinct is to chisel the rock and that lets Dororo get out of there, making this problem all the more aggravating. In the second half of the show, Hyakkimaru somehow knows where an important character is and tracks them down offscreen, not once, but twice despite there being nothing presented to the audience or to Hyakkimaru himself that could feasibly allow him to track them down. In episode 15, a village is consumed by fire and it’s blamed on an underground oil spill reacting to a moth demon randomly crashing onto a watch tower with a torch which subsequently exploded, except there’s no way it could have affected the oil in order to cause the fire to consume the village. The show also constantly beats you over the head regarding how tragic things are, and it often has the narrator or character reiterating what they’re doing. Apart from one spoiler-heavy moment a bunch of characters could have easily avoided if they had any sense of urgency, these are the only real big issues I can think of regarding issues with bad writing.

^ "Tomo-chan is a Girl! Vol. 3". Seven Seas Entertainment. Retrieved September 5, 2021. ^ トモちゃんは女の子!(4) (in Japanese). Kodansha. Archived from the original on November 19, 2023. Retrieved November 19, 2023. ^ Hazra, Adriana (November 13, 2020). "Kodansha Comics Licenses New Manga by Ema Toyama, Kaori Yuki, More". Anime News Network.

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Archived from the original on July 5, 2022. Retrieved July 4, 2022. ^ a b Komatsu, Mikikazu (September 5, 2022). "Idol Group SixTONES Member Hokuto Matsumura Joins Makoto Shinkai's Suzume Anime Film". Crunchyroll. Archived from the original on September 6, 2022. Retrieved September 6, 2022. ^ 新海誠「すずめの戸締まり」一足先に物語の世界へ! イラスト&ふりがな付きの「児童文庫版」発売. Anime! Anime! (in Japanese). October 13, 2022. Archived from the original on March 22, 2023. Anime News Network. Archived from the original on March 8, 2022. Retrieved March 8, 2022. ^ "『World of Tanks』がアニメ『ガールズ&パンツァー』とコラボ! 国内サービスも9月より始動". GameSpark. July 25, 2013. ^ "Girls & Panzer to Collaborate With World of Tanks Game in Japan". Anime News Network. July 28, 2013. ^ "Girls und Panzer Manga Teaches You How to Play World of Tanks Game". Anime News Network.
?) 2006 One hundred and fifty episodes, each about 45 seconds long. The format consists of a narrator asking, "Have you ever seen. ?" followed by various outlandish scenarios such as, "A chip in a G-string", "Houses who compete at who can spit the furthest" or "A horror movie for candy". Then there is a short, comical animation enacting the described situation. Each sketch ends with the narrator saying, "Maintenant, Oui" (English: "Now, Yes").