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Archived from the original on March 5, 2016. Retrieved November 5, 2016. ^ "Overlord, Vol. 1". Hachette Book Group. Archived from the original on November 5, 2016.

[4] Hoai-Tran Bui of /Film called Perfect Blue "deeply violent, both physically and emotionally", writing that "this is a film that will leave you with profound psychological scars, and the feeling that you want to take a long, long shower". [41] Bob Graham of the San Francisco Chronicle noted the film's ability to "take the thriller, media fascination, psychological insight and pop culture and stand them all on their heads" via its "knowing, adult view of what seems to be a young-teenage paradise. "[44] Writing for Anime News Network, reviewer Tim Henderson described the film as "a dark, sophisticated psychological thriller" with its effect of "over-obsession funneled through early Internet culture" and produces a "reminder of how much celebrity fandom has evolved in only a decade". [45] Reviewing the 2019 GKIDS Blu-Ray release, Neil Lumbard of Blu-Ray. com heralded Perfect Blue as "one of the greatest anime films of all time" and "a must-see masterpiece that helped to pave the way for more complex anime films to follow,"[46] while Chris Beveridge of The Fandom Post noted "this is not a film one can watch often overall, nor should you, but when you settle into it you put everything else away, turn down the lights, and savor an excellent piece of filmmaking. "[47] American performer Madonna incorporated clips from Perfect Blue into a remix of her song "What It Feels Like for a Girl" as a video interlude during her Drowned World Tour in 2001. [48][49] American filmmaker Darren Aronofsky acknowledged the similarities in his 2010 film Black Swan, but denied that Black Swan was inspired by Perfect Blue;[citation needed] his previous film Requiem for a Dream features a remake of the bathtub scene from Perfect Blue. [50][51] A re-issued blog entry mentioned Aronofsky's film Requiem for a Dream as being among Kon's list of films he viewed for 2010. [52] In addition, Kon blogged about his meeting with Aronofsky in 2001. [53] Other media[edit] Seven Seas Entertainment obtained the English-language publication rights for the 1991 novel Perfect Blue: Complete Metamorphosis in April 2017. [54] They released them in February and April 2018, respectively.

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It takes an inoperative veer from Rudeus having to escape an alien continent and reuniting his family into him breezing through a magic academy in laxity (as if one extremely derivative setting for this series wasn’t enough) and hoping he’ll somehow cure his impotence there. There is no defined act structure nor genuine narrative drive and momentum, and it feels like a tedious detour from the initial story. More importantly, however, is that this entire premise is made all the more laughable by the fact that it’s based on the dopey contrivance of Eris’ unrealistically stupidly written letter and irrational decision to abandon Rudeus. The author struggles to write believable character flaws. Thus, the story here is not only nonsensical, unengaging, moves at glacial speed and is tonally dissonant from pre-established plot-points, but its very foundation is contrived and it should never exist. In fact, the erectile dysfunction arc is so bad and borders on filler that the manga skipped it entirely and reduced it to supplemental content. And the worst part about all this is the resolution through familiarity - operating on the aforementioned hentai logic that in any other story would read as a cop-out if this entire arc wasn’t just an excuse to add a collectable to the expansive harem.
As I said, this season only serves to expand Rudeus' forced harem because that is the type of series Mushoku Tensei ultimately is - a generic power fantasy harem of which the fantastical elements merely orbit. Otherwise, the narrative wouldn’t be so unfocused and riddled with inconsequential subplots. The author should’ve simply played to his strengths of writing a fantasy epic (as flawed as it already was) instead of trying to write character-driven introspectives, since he can’t write believable characters and character dynamics. Dialogues are extremely corny and all the characters seem to have IQs on the left end of the bell curve in order for the plot to progress based on unintelligent character decisions, accidental happenings, poor character drama as well as plot conveniences as if the causality of this world flows to the tune of Rudeus. Retrieved July 19, 2016. Loo, Egan (July 19, 2016). "Japan's Animation DVD Ranking, July 11–17". Anime News Network. Archived from the original on May 9, 2022. Retrieved July 19, 2016. ^ "Overlord, Vol. 3 (manga)". Hachette Book Group. Archived from the original on September 14, 2016. Retrieved July 19, 2016.