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8"The Art of Altercation"
Transliteration: "Self-Conceit / Yuigadokuson" (Japanese: 唯我独尊)Keiichi Sasajima[37]Dai Satō[37]July 15, 2004 (2004-07-15)July 2, 2005 The singing swordsman Nagamitsu and two accompanying thugs hunt for Jin, challenging any glasses-wearing samurai they find. While at a restaurant, Mugen and Jin are infatuated with the curvaceous Budokiba. Budokiba spikes Mugen and Jin's drinks, knocking them out. Meanwhile, Fuu goes out to meet Nagamitsu, and learns he is hunting Jin. She tries to warn them but finds both Mugen and Jin unconscious. The trio manage to earn money by doing tricks, and Jin meets Nagamitsu. One of Nagamitsu's followers, Ogura, challenges him to a duel. Jin is more skilled, but allows Oruga to win, sparing his life. Budokiba's dog interrupts the conflict, revealing Nagamitsu to be her partner. The episode ends with Nagamitsu and Budokiba, their kids and their dog on a boat sailing away while Fuu, Mugen and Jin continue on their journey. 9"Beatbox Bandits"
Transliteration: "Evil Spirits of Mountain and Stream / Chimimōryō" (Japanese: 魑魅魍魎)Hirotaka Endo[38]Dai Satō[38]July 22, 2004 (2004-07-22)July 9, 2005 The three purchase travel passes to cross a border, being sentenced to death when the passes are shown to be fake.

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In a series of flashbacks, each member of Higurashi's group recount their worst memories before the pandemic started that caused their resentment towards society. They decided to vent their frustrations by destroying the village, but are instead thwarted in their encounters with Akira's quartet. Before Akira's father is turned into a zombie, Higurashi saves him but then holds him hostage, taunting Akira to prove that he is a good son. 12"Hometown of the Dead III"
Transliteration: "Hōmutaun obu za Deddo Surī" (Japanese: ホームタウン オブ ザ デッド III)Jun ShinoharaJun ShinoharaDecember 26, 2023 (2023-12-26)[h]TBA A flashback shows that Higurashi grew from a happy child to an antisocial loner who began to despise society, especially people like Akira. He decides to take it out on Akira and make him choose between him and his father. Akira seemingly turns into a zombie but quickly gets the upper hand on Higurashi. It is revealed that Akira disguised himself as a zombie with the help of some of the survivors to trick Higurashi. When Akira confronts him, Higurashi has a breakdown while he reveals that he just wanted to have friends. After he is bitten by a zombie, Higurashi accepts his fate while Akira and the other survivors attempt to evacuate the village but realize the bridge connecting them across a canyon has been destroyed. Fortunately, Kumano has built a bridge just in time. Akira and Kencho hold the bridge while the villagers evacuate, and they barely escape. It does tend to shortcut with several static shots of faceless characters, but it has an especially unique choice for background characters in them being shaded like the type of “anime minimalist wallpaper” you can easily find on Google Images. There’s this scrapbook uncanniness to some of the scenes while avoiding the scrunched-up outlines often seen on characters out of focus, adding to the many wallpaper-worthy shots appearing throughout.
At times the visual direction could be dull when not much was happening on screen, when it just hard cut between cast members starring into the screen trying to comprehend the tangle of plot with music missing, but it feels like that freedom of design is what Shingo Natsume saw with this entire series.
This might sound negative, and as far as personal investment in the choices made with the runtime that exists, it is, but I implore you to check out this show if you think its distinctiveness appeals to you. What I’ve been saying about how loose and overambitious the writing feels in light of the visual pizazz is something that only could’ve come from an anime original, a longtime animator writing a script for the first time with that rawness and passion radiating forward at the extent of understanding how to meet the audience halfway. That freedom is worth cherishing.