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The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again. The whole show feels like a stage play, with the characters feeling like actors, the dialogue bouncing off each character with such ease, the general flow of the story just so fantastic. The art and animation itself isn’t particularly pretty, and I suspect the budget for this show wasn’t huge at all, but Omata’s directing really elevated the show’s quality to greater heights, as there’s just a distinct uniqueness about how the show looks. The camera work and the storyboarding really embodied a style that felt “extravagant”, suiting the show’s setting very well. Furthermore, it has a sense of rakugo in it, and you can tell that Omata’s previous directing endeavours helped shape the way this show was directed as well.

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^ 나 혼자만 레벨업 6 (in Korean). Naver Book Database. Archived from the original on July 23, 2020. Retrieved April 27, 2020. ^ "Solo Leveling, Vol. 6 (novel)". Yen Press. Archived from the original on February 2, 2023. Retrieved February 2, 2023. ^ 나 혼자만 레벨업 7 (in Korean). Naver Book Database. February 16, 2019. Archived from the original on February 15, 2021. Retrieved 2023-02-17. ^ Eisenbeis, Richard (March 4, 2023). "All the Winners of the 7th Annual Crunchyroll Anime Awards". Anime News Network.