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"[72] Tucker admitted to being "bewitched" by the series mainly due to the remarkable and original characters, especially the interplay between the vastly different personalities of the Phantom Troupe members. [182] Kimlinger gave particular praise to the characteristics of the complex villain Hisoka and the deep, emotional transformation of Kurapika in the latter half of the series. [14][15][72] Theron Martin of Anime News Network, found the first fifteen episodes entertainment, and stated "Gon also inherits Goku's inherent likability, some of the "part of the challenge is figuring out what the challenge is" bits are rather clever, and setting up a situation where a tournament proctor is actually called out for being in the wrong is a nice twist. It does also have some fun moments". [13] The art and animation of the Hunter × Hunter anime have also been commended by the press. Kimlinger and Tucker were impressed by the art direction of Hunter × Hunter, the former of whom critiquing the adaptation of Togashi's work by Furuhashi as having "understated energy and flair, making the most of the era's (1999) mix of traditional and CG animation to bring Gon and friends' physical feats to fluid, exhilarating life. "[49][147] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [11] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential.

It’s all just an excuse for showing a bunch of flashbacks regarding the support cast. Too bad none of that matter since these people have no chemistry and never feel like they are a team. All that flashy animation goes down the drain because they are not only uninteresting, they are also not important. As stated by the very bad guys, the only two people that matter are the protagonist and the blindfold guy. What a way to fodderize the entire cast right from the beginning of the show. It’s like the guy who wrote this didn’t learn from the mistakes of My Hero Academia. DEATH Another thing is how the show is full of permanent deaths, many of which are outright gruesome. They make it seem like anyone can die in the story and just in every other show that wants you to think that, it applies only to unimportant characters. There was someone important who died as well, but he was so stupid he almost deserved to die. That idiot thought some school bullies killed his mom, and not a mass murdering monster. The main character in specific can resurrect whenever he feels like it, and then jokes about it before his grieving friends (who have no chemistry and therefore are not much of friends).

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g. , a big sister) using an honorific form, while the more senior family member calls the younger one only by name. The honorific forms are: O-tōsan (お-父さん): father. The descriptive noun is chichi (父). Ojisan (叔父さん/小父さん/伯父さん): uncle, or also "middle-aged gentleman". O-jiisan (お-祖父さん/御爺さん/お-爺さん/御祖父さん): grandfather, or also "male senior-citizen". O-kāsan (お-母さん): mother. The descriptive noun is haha (母). Obasan (伯母さん/小母さん/叔母さん): aunt, or also "middle-aged lady". O-bāsan (お-祖母さん/御-祖母さん/御-婆さん/お-婆さん): grandmother, or also "female senior-citizen". O-niisan (お-兄さん): big brother, or also "a young gentleman". 20 December 2021. Retrieved 7 February 2021. ^ "ダンガンロンパ 希望の学園と絶望の高校生 [PSP] / ファミ通. com". www. famitsu.
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