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in Series No. in Saga Funimation Title Japanese Airdate Toonami Airdate 254 01 "The Evil of Men" February 1, 1995 October 14, 2002 When Mr. Satan inspires Majin Buu to give up his evil ways, it seems the professional pretender has really saved the world! But when a deranged madman suddenly spoils Buu’s good mood, the pink terror goes on another rampage! 255 02 "Buu Against Buu" February 8, 1995 October 15, 2002 The Battle of the Buus begins as Majin Buu fights his evil counterpart! The good Buu gets a taste of his own medicine when he’s turned into chocolate! Evil Buu gobbles him up, and a horrible transformation takes place! Who is this radical new Buu? 256 03 "Empty Planet" February 15, 1995 October 16, 2002 When the new and improved Majin Buu makes a surprise visit to the Lookout to challenge Gotenks, every second becomes a test of survival! And where are Trunks and Goten during the chaos that erupts?. Sound asleep, of course! 257 04 "Time Struggle" February 22, 1995 October 17, 2002 Before he can unleash his fury on the remaining Z-Fighters, Majin Buu is coaxed into the Hyperbolic Time Chamber.

My guess is the author chose that route because other fantasy series such as Re:Zero have already done the same with violence alone. The author wanted to set their series apart, to invoke a sort of hatred that anime-only viewers have rarely or perhaps never experienced before, and, well, the result of that is laid bare for all to see: angry westerners, and Japanese fans who just want to see some dead-ass goblins.
It is not so much from an artistic perspective that I am defending the author's choice, however. Gratuitous and pretentious, it is, when what follows in the later episodes is of little importance and does not in any meaningful way make use of the hatred instilled in the audience. Rather, it returns to the exact same silly and carefree tone of the anime's opening few minutes, as if it what happened in the first episode was just some sort of dream. Heck, the second episode may as well have been the beginning episode— the first completely obliterated from existence— and little would change at all with regards to the story and the characters.

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En effet, Mao Mao devra résoudre quantité de "mystères" sans queue ni tête, souvent pour le compte de l'étrange Jinshi. Et c'est seulement vers la fin qu'on comprendra que quelque chose de plus grand se prépare. Les intrigues de cour étant plus présentes que jamais.
En parlant de Jinshi, ce garçon est aussi irritant et collant qu'une verrue au pied dont on voudrait se débarrasser. Mais bon dieu que j'ai pu rire lorsqu'il entrait en scène. Il a largement contribué à tout plein de situations cocasses, rien qu'avec ses sentiments qu'il ne maîtrisait pas vraiment.
Maintenant place à Mao Mao. J'ai adoré son perso. Dur à dire mais cette fille est vive et ingénue à la fois, complètement détachée des émotions des autres et incapable d'interactions sociales basiques -oui, oui, la norme lui échappe- Elle a des intérêts spécifiques -c'est quoi cette obsession pour les poisons ?- et une fascination sensorielle parfois troublante. Archived from the original on May 31, 2019. Retrieved May 31, 2019. ^ "Food Wars!". Sentai Filmworks. Archived from the original on May 10, 2018. Retrieved May 27, 2018.
Kaori shows him the nearby shopping center and insists they use each other's first names while sharing snacks. Many eavesdropping students assume they are on a date, embarrassing Yūya. He decides to return to the other world for fun, but this time encounters a girl named Lexia, whom he rescues from a monster. Unsure what to do, he sneaks away unseen once her guards arrive. 3"Life Changes"
Transliteration: "Jinsei no Henka" (Japanese: 人生の変化)Yukina HiiroYukina HiiroYukina HiiroApril 21, 2023 (2023-04-21) Yūya decides to spend some of his new wealth on clothes. While shopping, he is grabbed by photographer Hikaru as replacement for male celebrity model Shō and takes part in a photoshoot with professional model Miu, who is drawn to Yūya's inexperience and charm. Shō abruptly shows up late and forcefully flirts with Miu. When Yūya intervenes, Shō tries to punch him, only for Yūya to instinctively defeat him. Due to the cameras still recording, Shō is exposed online as a scumbag, destroying his career. Despite enjoying himself, Yūya declines Hikaru's offer of a modeling contract to focus on his studies, but Hikaru insists on paying him with free designer clothing. In the other world, Princess Lexia of Arselia is determined to thank her anonymous hero and stubbornly returns to the dangerous forest with her guards to find him.