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^ ジョジョの奇妙な冒険 集英社文庫(コミック版) (in Japanese). Shueisha. Archived from the original on June 4, 2020. Retrieved May 29, 2020. ^ ジョジョの奇妙な冒険 集英社文庫(コミック版) (in Japanese). Shueisha.

It’s this unnecessary from the bottom to the top type writing that tries to maintain hype through introducing opponents of increasingly high rank. This might work for some, but to me, it’s tedious to sit through knowing that someone with more power but with even less personality will appear and none of this matters. Take Nagi for example. How on earth does he have the ego to say he’s the best player as he’s introduced when he’s ranked 250 something in this facility alone. It’s just meaningless fluff because it’s obvious they’re trying to drum up some kind of idiotic point where he realizes oh he’s not god’s gift and there are people that challenge him here. Then Rin comes along with a similar ego complex, but is just stronger and replaces what little Nagi’s purpose was. The part that really infuriates me is that after what seems like these development arcs for each of these characters. They’re reduced to these shells of their former selves and are added to Isagi’s collection of assets like they’re all tools in Mickey Mouse’s toolbox. “Oh toodles!!! Who will I pass to today?" As he bring up 4 options to the screen. I can just imagine the kids watching screaming at their screen: “Garou! Kunigami! Bachira! Chigiri!” or whoever else “fortunate” enough to be Isagi’s plaything at this current moment.
Strikers aren't the king of the castle but Blue Lock certainly thinks so.

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Anime News Network. Retrieved October 2, 2017. Episode 36: Ressler, Karen (September 21, 2017). "Japan's Animation TV Ranking, September 10–16". Anime News Network. Retrieved October 2, 2017. Episode 37: Ressler, Karen (September 28, 2017). "Japan's Animation TV Ranking, September 17–23". Anime News Network. Retrieved October 2, 2017. Episode 38: Ressler, Karen (October 5, 2017). It’s funny but it’s not subverting anything. The show is just making jokes about the stereotypes of superheroes, and it does it without even having much variety. The reason they often call the show “One Pun Man”, is because everyone keeps repeating the same one joke in every episode. It gets old and stops being funny very fast, because it becomes predictable. Just compare it to something like the recent version of Mahoujin Guruguru. A great satire of heroes in JRPGs, vast variety of jokes, many of which are plot related, and no attempt to sound serious by mentioning bullshit that are forgotten soon afterwards. Mahoujin Guruguru makes no attempt to be more than a satire, and thus does not come off as a pretentious pile of shit for overthinkers. Did I mention how it also has a plot?One Punch Man does not have a plot. The only thing that changes is adding more characters in every arc, with each one repeating the same one joke in every episode. That’s not plot progression, in the same way Bleach did not have plot progression when it kept introducing more characters and bankais that didn’t matter in the longrun. Saitama’s journey to be an S rank hero is also not plot.
Crunchyroll. Archived from the original on September 1, 2017. Retrieved January 24, 2020. ^ Pineda, Rafael Antonio (November 23, 2015). "Live-Action Boku dake ga Inai Machi Film's March 19 Debut, New Visuals Unveiled". Anime News Network.