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December 9, 2013. Archived from the
original on May 8, 2014. Retrieved May 6, 2014. ^ "Japan's Bookstore Employees Rank Top
Manga of 2014". Anime News Network. February 6, 2014. Archived from the original on February 23, 2015. Retrieved January 30, 2023. ^ "iOS
version of the Tokyo Ghoul
carnaval released today in Japan". senpaigamer. com.
Il a donc été décidé qu'elle réduirait ses
activités jusqu'à nouvel ordre. Pour l'instant, aucune décision n'a été pri. MusiqueRikako Sasaki (ANGERME) annonce son
départ du groupe
03/01 : L'année 2024 sera une nouvelle année de départs pour le Hello! Project. En effet, après Akari Uemura (Juice=Juice), c'est maintenant Rikako Sasaki (ANGERME) qui annonce son départ.
That, unfortunately, is a big negative, since a good chunk of the pathos the movie delivers is at least partly dependent on that performance". [41] On 25 December 2016, Toei Company made a Twitter post that read "Why did Kiriya have to die so soon?" (なんできりやすぐ死んでしまうん, Nande Kiriya sugu
shinde shimaun?) in order to promote an episode of Kamen Rider Ex-Aid. The hashtag became popular, but Toei deleted the tweet after receiving complaints that referencing the Grave of the Fireflies line "Why do fireflies die so soon?" (なんで蛍すぐ死んでしまうん, Nande hotaru sugu shinde shimaun) was in poor taste. [57] Before that, the ranking website Goo's readers voted the film's ending the number 1 most miserable of all anime films. [58] In June 2018, USA Today ranked it 1st on the 100 best animated movies of all time. [59] Well-known film director and critic Haruo Mizuno [ja] reviewed Grave of the Fireflies on his popular TV series. He praised the film for the honorary image of the soldiers of Japan through the depiction of the fireflies, and the moving depiction of a heartbreaking experience many people of Japan had
lived through. [60] After seeing the reactions of the audience after a screening of the film at Festival « Pour éveiller les regards », Jean-Jacques Varret, head of Les Films du Paradoxe, knew he had to distribute it in France. [61] It was released in two Parisian arthouses and the reaction was modest. Following the release however, Les Films du Paradoxe chose to release the film on video cassettes and on the streaming service Canal+. [61][62] Public reactions[edit] After the international release, it has been noted that different audiences have interpreted the film differently due to differences in culture.
