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[55] Part 3 received its UK theatrical premiere on May 7, 2010, at the Prince Charles Cinema in London as part of the 2nd Terracotta Film Festival. [56] Following this, 4Digital Asia released a 4-disc boxset containing the complete trilogy on May 31, 2010. [57] Viz Media licensed the trilogy for North American release. The first film had its US theatrical premiere at the New People opening in San Francisco on August 15, 2009. [58] The second film premiere followed at the same cinema on August 21, 2009, and the third film premiere followed on the same day as the Japanese premiere on August 28, 2009. [59] Part 1 received its US DVD release on December 11, 2009. A launch event was held at the New People cinema in San Francisco with a theatrical screening. [60] Part 2's DVD release had a similar launch event on February 9, 2010, with a one-night-only theatrical screening. [61] Likewise, Part 3 had a launch event and theatrical screening at New People on May 20, 2010. [62] The entire trilogy was broadcast by NHK on its TV Japan channel airing on consecutive Saturdays beginning November 13, 2010. Reception[edit] Manga[edit] 20th Century Boys has 36 million copies in circulation;[63] it was the third top-selling manga series of 2008 in Japan;[64] and the ninth top-selling of 2009.I knew you were the traitor simply because we’re friends, and I knew something was off as soon as the game began. ” In any well-written anime, this would’ve been a really powerful and emotional moment that could’ve convincingly and empathetically offered Glasses Tenji an off-ramp to redemption and reintegration into the friend group, but in this show, it just makes you roll your fucking eyes, because the whole problem with it in the first place is that these peoples’ “friendship” doesn’t exist. The show tells us they’re friends, but we never got to actually see them being friends. We never got to know any of them, and their—I hesitate to use the word—personalities don’t play off each other with any more chemistry than you’d expect considering the archetypes they embody. They’re just stock character templates with voice actors and actresses transforming them into cardboard cutouts that just happen to have the ability to speak.
Actually, wrong metaphor there, because cardboard cutouts wouldn’t be off-model nearly as much as these fucking people, and by “people,” I mean crimes against art, and by “art,” I mean shit, and by “shit,” I mean this fucking show. Hopefully you weren’t expecting this show to be well-produced or technically competent, because it isn’t. You’ll probably get used to the hideousness of the visuals just by virtue of how easily your eyes will glaze over, but they still occasionally devolve from unengaging to completely and totally embarrassing, perhaps just to be honest and remind you of the fact you’re watching trash. Every instance of visual flair comes from zooming in on someone's face while they give their biggest, baddest edgelord smile, then applying some digital effect. The incongruity between the staleness of the show and the ridiculously overblown edginess makes for some great laughs, honestly. Of course, I would be remiss if I didn’t give Manabu, the useless CG Front Man accompanying the characters, the resounding “fuck you” he deserves.