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The entire drama involves Shin and his most personal relationship with Lena's past, where her br
other saved her during the war a few years ago. Shin, or "Undertaker", is someone who has a disturbance in his mind of listening to other people in the District who have already died. This leads to the assumption that the Legion uses the brains of these dead humans to fortify
their machines and fight the Juggernauts of San Magnolia. Shin, because he thinks he is "dead" and because he wants to find his brother's brain, has been searching for 5 years for a human peace within himself.
And being a human is one of the themes of the show. All this social pressure that is imposed on the District causes an increasingly oligarchic policy, where the rich and generals are decorated with many merits, while for the soldiers of '86, they are nothing more than Pigs (or "Buta Yarou"), people without any charisma or who do not like them in any way, because they are the same segregationists. Lena would be one of the thousands of Operators who would go into a mental frenzy if she were weak and didn't have a purpose with it. Her father was an important person who changed his mind, so that he had a different destiny from the rest of the commanders. Lena exerts this pride to the flag in a revolutionary way, but at the same time she is realistic with her ideals, even if the ideals themselves were not achievable, as the anime itself once mentions. It is not because it is a nation that the motto of the flag becomes possible. In fact, an unattainable goal brings problems of idolatry and problems of politics.
Year Media content revenue in Japan Notes[c] Ref 2013 ¥14,700,000,000 ($151,000,000) Physical and digital media [151] 2014 ¥13,000,000,000 ($123,000,000) Physical and digital media [152] 2015 ¥7,308,359,519 ($60,377,697) Physical media only [153] 2016 ¥3,845,406,579 ($35,346,117) Physical media only [154] 2017 ¥4,196,052,143 ($37,409,258) Physical media only [155] 2018 ¥3,137,123,693 ($27,968,544) Physical media only [156] 2019 ¥2,598,783,077 ($23,839,933) Physical media only [157] 2020 ¥2,460,695,769 ($23,045,707) Physical media only [158] 2013 to 2020 ¥51,246,420,780+ ($482,716,387+) Critical response Many have analyzed Attack on Titan as representing "the hopelessness felt by young people in today's society". [2] Writer Mao Yamawaki called it a "coming-of-age story of the boys and girls at its core", with a new mystery every episode. It is these mysteries that critic Tomofusa Kure said amplifies readers' expectations. The artwork of the manga has been criticized as crude by some reviewers, with Isayama himself admitting his drawings are "amateurish". However, those same critics stated that after years of serialization, the art has been improving, and Kure believes that had the illustrations been "refined", it would not have conveyed the "eeriness" that is a key characteristic of the work. [2] In a short review, Jason Thompson noted how the characters conveniently receive "power-ups" to create plot
twists, but concluded that these plot twists and the manga's post-apocalyptic
world are "too good to miss".
Though,
noting the series' sub-par animation quality, D'Anastasio concluded, "Berserk is not for the faint-hearted. But 'The Branded Swordsman' proved to me that directors of fighting-heavy anime are making more of an effort to beautify and civilize the genre, doing justice to manga that showcases writing and ingenuity. "[33] Anime News Network contributor
Jacob Hope Chapman was critical of the show's production quality in his review of episodes 1–3, stating that "Berserk 2016 is an abominably ugly and almost forcefully unpleasant realization of our dreams, with cut-rate CGI, questionable music choices, and disorienting camera work". However, to him, the strength of the source work helps to carry the show, and Itagaki's frenetic directing style at least keeps the action interesting: "Once you manage to unclench your teeth at all those garish cel-shaded puppet bodies smacking against each other, Miura's compelling story and the captivating world still shine as one-of-a-kind flights of dark images with poignant characterization, even as they struggle under such a lackluster production. "[34] References[edit] ^ a b Luster, Joseph (29 December 2015). "VIDEO: New "Berserk" Anime Project Teases Some Animated Violence".
