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As he runs, Vivi asks him how long he plans on running, and he says he will run to the edge of the world if he has to. The both of them then cross paths with Kinderella, who comes to believe that Wapol is eloping with Vivi. Quick References[] Chapter Notes[] Imu starts talking to King Cobra. Cobra recognizes Imu's name and associates it with the First Twenty, but Imu tells Cobra to not pry any further on that matter. Imu answers Cobra's question about the Will of D. Imu states that the ancient enemies of the World Government once carried the moniker of "D". According to Imu, Nefertari Lili committed a "mistake" that allowed the Poneglyphs to be scattered around the world, but they are suspicious that this was actually intentional on her part. The Five Elders pull out their weapons with the intent of assassinating Cobra due to him having witnessed Imu's existence. Cobra reveals that Nefertari Lili's name was in truth Nefertari "D. [88][89][90] However, through the time he was with Griffith and the rest of the Band of the Hawk, Guts formed bonds, friendships, animosities and co-dependencies, maturing as well as individual. [80][79][91][78] Miura stated that he based the Band of the Hawk on his own high school friend relationship experience. [16][28] Specifically, he mentioned that his friendship with later fellow manga artist Kouji Mori partially inspired the relationship between Guts and Griffith. [7] Jacob Chapman of Anime News Network, wrote that through their friendship, Guts' ambitions were elevated and Griffith's were lowered, allowing both of them to consider a new future for the first time, one where they fight side by side as equals and die on the battlefield, but they reject this future out of their own personal fears, as Guts did not think he was "good enough" for a happy future and Griffith was terrified of his lofty dream crumbling into something more mundane. [92] Miura also said that the conflict between Guts and Griffith speaks about their change after having built their personalities. [16] The Golden Age arc has been compared to a Greek tragedy. [93][94] According to Lauenroth, Griffith's hamartia lies in how he compartmentalizes his feelings of guilt and shame that would get in the way of his dream and how he deals to repress them. His inner dialogue in his second duel with Guts, "If I can't have him, I don't care," marks the Golden Age arc peripeteia. [79] When Guts comes running to rescue him during the Eclipse, Griffith reaches his moment of anagnorisis with his thought: "You're the only one.
Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what.
The more-prominent side characters of each arc do not fare much better. Sherry is reduced to little more than buttshot eye candy despite the great intelligence we are told that she has, all the while the show decides to relentlessly dump tragedy upon her.