uma musume pretty derby
[16] Later, Usopp upgrades her weapon to the Perfect Clima-Tact (完全版 "天候棒"(パーフェクト・クリマ・タクト), Pāfekuto Kurima Takuto, renamed "Perfected Climate Baton" in the Viz Media manga translation and "Complete Clima-Tact" in Funimation's anime dub), using Dials to increase her attacks. [17] Eventually, Nami adds the Sorcery Clima-Tact (Sorcery Climate Baton in the Viz manga and Funimation subs) with Weatheria's technology,[18] which not only has improved abilities, but can also be used for other uses such as producing Milky Clouds for riding across. [19] As with her original staff, these three weapons are also tri-sectional. Later, Usopp gives Nami an improved Sorcery Clima-Tact model she wanted him to make (which he had Franky help him a little bit). Using the knowledge he acquired over the time-skip with the plant-based Pop Greens, Usopp combined this with the Weatheria technology Nami provided him and designed the new Sorcery Clima-Tact to be smaller and more compact than the previous models. Instead, it uses the Pop Greens' growth abilities for the staff to extend and contract, through the use of squeezing or releasing the handle. [20] This improvement also allows Nami to now be able to directly attack with her staff from a distance. [21] Nami later teamed up with Big Mom's thundercloud-based accomplice Zeus,[22] eventually forcing him to become her servant,[23] and is
currently part of her arsenal, now living inside her Clima-Tact. [24] Though Zeus' body was later destroyed by his former master,[25] his soul was able to survive and has now completely merged with the Clima-Tact, improving its capabilities and giving it shape-changing abilities, such as transforming it into a mace. [26] Appearances[edit] In One Piece[edit] Nami
first appears in the manga chapter "Nami" (ナミ登場, Nami Tōjō), first published in Japan's Weekly Shōnen Jump magazine on September 22, 1997. [4] She first appears as a thief who robs treasure from pirates, and partners with Luffy and Zoro after joining forces to obtain a map of the Grand Line from the clown-like pirate Buggy.
"[7] Lelouch's alter ego, Zero, was one of the earliest developed characters, with Ōkouchi having wanted a mask to be included as a part of the series, feeling it was necessary for it to be a Sunrise show, and Clamp wanting a unique design never prior seen in any Sunrise series (said mask was nicknamed "tulip" for its distinctive design). [7] The concept for the Geass may have been inspired by the Irish and
Welsh legends of "Geas" or "Geis". A geas is a compulsion laid on someone to do or not do something. While the geas itself does not lie on any spectrum, the benefits or
actions of it may be decidedly benevolent or malevolent. The concept fits in into the wider fictional world and its lore of British inspirations. Clamp's finalized original character design art, illustrated by its lead artist Mokona, was subsequently converted into animation character designs for the series by Sunrise's character designer Takahiro Kimura, who had previously spent "every day" analyzing Clamp's art and style from their artbooks and manga series. [7] In working on the animation character designs, he focused on designing them so as to enable the series' other animators to apply them without deviating from Clamp's original art style. [7] The music for the series was composed by Kōtarō Nakagawa and Hitomi Kuroishi, who had earlier worked with the series' core staff in Planetes and Taniguchi's earlier work Gun X Sword. In addition to the incidental music featured in each episode, Kuroishi also composed numerous insert songs for the series, including "Stories", "Masquerade", "Alone", and "Innocent Days", which were each performed by Kuroishi herself, while "Picaresque" and "Callin'" were performed by the singer-songwriter Mikio Sakai, who had also earlier worked with Nakagawa and Kuroishi in Planetes. The bands FLOW, Ali Project, Jinn, SunSet Swish, Access, and Orange Range have provided songs for the opening and ending themes in the original broadcast. [8][9] When the series was being developed for broadcast on MBS TV, it had been given the network's Saturday evening prime time slot, which was later changed to a Thursday late night time slot.
Julia (Elena Satine)The woman at the dead center of the Spike-Vicious rivalry. In both versions of the series, her relationship with the two men and the tension that unfolds between them is told in flashbacks. While working for the Syndicate, Julia helps nurse an injured Spike back to
health but not without giving him a little extra medicine and attention, if you
catch our space drift. From there, the two have an affair that Vicious finds out about. This conflict gives Spike the push he needs to attempt to leave the dangerous syndicate, with Julia in tow. However, trouble ensues when they get separated, and Spike has to leave without her when she doesn’t show up at the rendezvous point.
