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Archived from the original on January 7, 2020. Retrieved January 7, 2020. ^ Chapman, Paul (March 19, 2018). "MAPPA Picks Up the Pieces in "Dororo" TV Anime". Crunchyroll. Archived from the original on January 30, 2021. Retrieved January 20, 2021. ^ 巨匠・手塚治虫の世界 日本アニメの黎明期から21世紀に受け継がれる魂. Open Computer Network (in Japanese). Archived from the original on May 1, 2007. Retrieved March 10, 2008.

Retrieved July 10, 2020. ^ Pineda, Rafael Antonio (September 18, 2020). "Demon Slayer: Kimetsu no Yaiba Manga to Top 100 Million Copies in Circulation". Anime News Network. Archived from the original on September 20, 2020. Retrieved September 18, 2020. ^ 「鬼滅の刃」22巻で累計1億部を突破!入場者特典収録の読切をジャンプにも掲載. Comic Natalie (in Japanese). Natasha, Inc. September 24, 2020. Archived from the original on October 3, 2020.

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tells you nothing, but believe me, this is one of the most unique takes on mysteries I’ve seen a while, combining a wide range of mysteries with compelling action and witty humour, and also adding some major figures in mystery media, like Sherlock Holmes, Arsène Lupin, and many more. It kind of felt like the “Mystery Avengers” in a way, but with less action than your typical superhero flick, but much more focused on dialogue. To give a gist of the premise, it’s set in an alternate Meiji era, where an unlikely duo, an Oni Slayer, and a head in a cage suffered the similar fate of their humanity being stolen by the same person, and thus, they chase after this villain, encountering mysteries along the way, making a name for themselves.
Dialogue-heavy shows can be a slog, but this anime certainly manages to capture your attention without being boring, to the extent of each episode flying by in a matter of what you think were just a few minutes. The characters command each scene very well, and the voice actors are certainly to be praised, especially the two main characters in Tsugaru Shinuchi, and Aya Rindou, voiced by Taku Yashiro and Tomoyo Kurosawa, respectively. Tsugaru kept my attention because of his cheeky personality, often making fun of his partner Aya, as well as not taking things too seriously. His humour is witty, perhaps corny, but he definitely made me laugh quite a few times. Aya commanded each scene so well despite only being a head in a cage. Who needs a body after all? Her voice actor, Tomoyo Kurosawa, really nailed the role, as she had such a presence in each scene she was in, with her deduction skills and her tone of voice that captured every bit of my attention. The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again. tells you nothing, but believe me, this is one of the most unique takes on mysteries I’ve seen a while, combining a wide range of mysteries with compelling action and witty humour, and also adding some major figures in mystery media, like Sherlock Holmes, Arsène Lupin, and many more. It kind of felt like the “Mystery Avengers” in a way, but with less action than your typical superhero flick, but much more focused on dialogue. To give a gist of the premise, it’s set in an alternate Meiji era, where an unlikely duo, an Oni Slayer, and a head in a cage suffered the similar fate of their humanity being stolen by the same person, and thus, they chase after this villain, encountering mysteries along the way, making a name for themselves.
Dialogue-heavy shows can be a slog, but this anime certainly manages to capture your attention without being boring, to the extent of each episode flying by in a matter of what you think were just a few minutes. The characters command each scene very well, and the voice actors are certainly to be praised, especially the two main characters in Tsugaru Shinuchi, and Aya Rindou, voiced by Taku Yashiro and Tomoyo Kurosawa, respectively. Tsugaru kept my attention because of his cheeky personality, often making fun of his partner Aya, as well as not taking things too seriously. His humour is witty, perhaps corny, but he definitely made me laugh quite a few times. Aya commanded each scene so well despite only being a head in a cage. Who needs a body after all? Her voice actor, Tomoyo Kurosawa, really nailed the role, as she had such a presence in each scene she was in, with her deduction skills and her tone of voice that captured every bit of my attention. The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again.
[11][12] Shueisha simultaneously published the series in English on the Manga Plus service starting January 2019. [13] Viz Media published the first three chapters in its digital magazine Weekly Shonen Jump as part of the "Jump Start" program. [14][15] During their panel at San Diego Comic-Con on July 20, 2017, Viz announced that they had licensed the manga for the North American market. [15] The first volume was released on July 3, 2018. [16] Spin-offs Giyu Tomioka Gaiden (冨岡義勇 外伝, Tomioka Giyū Gaiden), a two-chapter manga spin-off centered on Giyu, was published in Shueisha's Weekly Shōnen Jump on April 1 and 8, 2019. Gotouge is credited with the original work and Ryōji Hirano drew the manga. [17][18] A side-story for the manga was published in the first issue of Jump Giga on July 20, 2016. [19] Kimetsu no Aima! (きめつのあいま!), a colored 4-koma spin-off by Ryōji Hirano, was serialized between April 7 and September 29, 2019, on Shueisha's Shonen Jump+ app and website. The manga featured chibi versions of the characters from the main series. [17][20] In May 2020, after the main series finished, a spin-off titled Kyojuro Rengoku Gaiden (煉獄外伝, Rengoku Kyōjurō Gaiden), illustrated by Ryōji Hirano and centered on Kyojuro was announced to be released. [21] The two chapters of Rengoku Gaiden were published in Weekly Shōnen Jump on October 12 and 17, 2020.