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Archived from the original on February 3, 2017. Retrieved November 15, 2017. ^ "Tokyo One Piece Tower". Tokyo One Piece Tower. Archived from the original on October 19, 2017. Retrieved November 15, 2017. ^ a b "One Piece series holds "Dome Tour" in Osaka, Tokyo".
Asia Pacific Arts. February 24, 2011. Archived from the original on August 26, 2013. Retrieved February 26, 2011.
Things go from bad to worse when Suzume reaches the abandoned site and discovers a mystical door that leads to another realm and accidentally uproots a kaname-ishi (spirit rock) that turns into a kitten in Suzume’s hands before bolting away. It's at
this moment that the man of Suzume’s literal dreams shows up in time for the magic door to suddenly burst open as a terrifying dark force that barges its way into Suzume’s realm. All this takes place before we’ve hit the 30-minute mark of this two-hour saga, mind you. Photo: ©2022SNTFP After his unsuccessful attempt to close the portal of doom and shut away the sinister force, the stranger introduces himself to Suzume as Sota (voiced by Hokuto Matsumura) and explains that he’s on a mission to locate more doors like the one they just encountered and
lock them all up. Before Sota can set out to continue on his quest, however, the spirit stone-turned-kitten from earlier reappears at Suzume’s bedroom window and turns Sota into a child-sized chair. Knowing that Sota would struggle to survive his mission as a small chair, Suzume resolves to accompany him on his journey and help him return to his human form.
a "Can I Kiss You Every Day?" That manga exploring childhood friends who force themselves upon one another in a rather pushy relationship would serve as the antithesis to grow into the author's latest manga
that has been consistently firing shots of unpleasantry: 2018's Ojou to Banken-kun, which, for better or for worse, is twice the force and quadruple the frustrations, thinking that forced relationships will make for a rather spicy story. If that was the intent of the author, he/she succeeded, but the story itself is quite the dumpster fire of a garbage mess that it is.
Do you remember age-gap relationships, like, say, Summer 2022's Kumichou Musume to Sewagakari a. k. a The Yakuza's Guide to Babysitting? That was a show that had a Yakuza family as the setting, between a normal Yakuza right-hand man and the boss's precious child daughter as a means to teach him how to
live life the right way (that's not child grooming, by the way). In the context of Ojou no Banken-kun, take that premise and push the age button into high school territory, while incorporating the things that would rile up the Shoujo market: a Yakuza Ikemen with the normal boss's daughter, who just wants to be a typical commoner girl. That's the story of Isaku Senagaki, having been taken care of by her gangster grandfather when her parents died in an accident and, even worse, being shunned by the people around her for being the daughter of a Yakuza boss. Fast forward to high school, and the 15-year-old wants to be free of her Yakuza familial constraints, to live a normal life and bond natural love. except that would have been the case, if not for the Senagakis' young leading subordinate: 26-year-old Keiya Utou, who acts as her overprotective guardian, who sneaks by the way to infiltrate her school to look after her.
