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Jhun Hoon was a tae kwon do master who paired up with Kim Khapwan, while Whip was the leader of the Ikari Warriors team and had the longest ranged attacks in the game. In order to compete with the newer vs. titles from Capcom, SNK decided to steal a page from its playbook and introduced strikers, which were characters who could be summoned into battle to aid in combos or help defend their teammates. While they were innovative for the KOF series, many players didn't like the new additions, partly because they created some imbalances among characters. The King of Fighters R-1 (1999, NeoGeo Pocket)
This was a handheld fighting game based on the NeoGeo version of King of Fighters '97. Since the NGP was a monochrome system, R-1 used black-and-white graphics. You picked a team of three fighters and went up against the CPU's teams. Or, you could link two NGPs together for two-player play. The graphics were weak compared to what you could see on the Game Boy Advance, but they stacked up nicely against the graphics capabilities of the Game Boy--which was the popular system at the time. The characters were large, the animation was fairly smooth, and all of the characters' attack moves were present. That meant combinations and desperation attacks worked exactly as they did in the arcade.

Archived from the original on January 27, 2022. Retrieved January 19, 2023. ^ Beveridge, Chris (June 9, 2017). "My Hero Academia Season 1 Limited Edition Blu-Ray Anime Review". The Fandom Post. Archived from the original on January 28, 2021. Retrieved January 26, 2016. ^ Whalen, Amanda (April 20, 2017). "Fans Can Manifest Quirks, Fight Villains at My Hero Academia Event in July". Anime News Network. Archived from the original on June 24, 2022.

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Setting and themes[edit] Series director Shinichirō Watanabe defined the central theme of Samurai Champloo as the portrayal and acceptance around death, themes he had previously explored in his science fiction series Macross Plus (1994) and Cowboy Bebop (1998). [5] Another theme outlined in the series pitch was individuality and finding one's unique identity. [6] The series is set in Edo period Japan, roughly sixty years after the end of the Sengoku period. [7] While a historical time period, the anime does not focus on historical detail beyond minor inclusions and references, mainly using contemporary-style dialogue and behavior. [5][8] A conscious inclusion was emphasising cultural acceptance and tolerance of minorities including the indigenous Ainu people, foreigners, LGBT people, and Christians; the historical Edo period was a time when Japan was highly structured, conformist and isolationist. [5][9] Due to its Edo setting and incorporation of samurai culture and honor codes, Watanabe was worried the anime would be seen as nationalistic in tone, prompting its focus on minorities and tolerance. [10] Watanabe put in as much as he could manage of these themes and subjects, challenging earlier limitations imposed by a lack of historical information from the time and Japanese television codes restricting the portrayal of Japanese minorities in the period. [5] The main cultural influence on the anime is the music and associated subculture of hip hop. [11] Watanabe had been a fan of hip hop music from his high school years, citing his first exposure as "The Message" by Grandmaster Flash and the Furious Five. He compared the samurai culture to hip hop through a similar philosophy of self-identity. [12] The use of hip hop also reinforced the series' focus on its minority and counter-cultural cast, creating a cultural reference by using one with the other. Deb Aoki from About. com wrote that tying with Bleach, Eyeshield 21 was the best continuing shōnen manga of 2007, because it "has well-written characters, dynamic artwork, nail-biting cliffhangers, plus a winning mix of comedy, action and drama". [136] On the 2008 list, Aoki listed Eyeshield 21 as the best continuing shōnen, as it was able to "[come] into its own" from other shōnen series. [137] In that same year, Pop Culture Shock's Sam Kusek elected it the best continuing manga series. [138] Chris Zimmerman of Comic Book Bin was positive on his review of the volumes 30–33; he affirmed it is "one of the best shonen titles out there" and described it as "a superb series, with well developed characters, intense action, and touching humor". [139] Scott Campbell of Active Anime commented it is an "action-filled" series with great artwork and humor, and that it "has managed to continually get more and more dynamic with each volume". [140] Jarred Pine from Mania. com praised the humor and how the creators "bring out the energy and excitement of the game for the readers". [141][142] June Shimonishi, reviewing for School Library Journal, wrote that it "delivers a fresh and entertaining take on all the standard sports clichés". She also said that its art is "superb .