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Ippo takes an aggressive approach and starts throwing punches. Kenta is a little shocked but manages to block Ippo's punches while getting a good read on their speed and power. Kenta uses his long left to steer Ippo away. Ippo finally steps in close to land an uppercut but Kenta breaks it by clenching Ippo. this confuses Ippo and Kenta starts to land soft blows on Ippo. Ippo corners Kenta but he clenches again until the clock runs out. In the second round, Kenta starts with an aggressive approach and disrupts Ippo Rythem out again. Ippo is tiring himself out throwing wide punches but manages to corner Kenta. When Ippo goes for the finishing move Kenta clinches again and breaks it off. Coach Komagawa notices Ippo getting tired. 19"Dream of a KO"
Transliteration: "KO no yume" (Japanese: KOの夢)Yasuhiro Matsumura
Jun ShishidoKazuyuki FudeyasuFebruary 13, 2001 (2001-02-13) 20"The Threat of Shotgun"
Transliteration: "Shottogan no kyōi" (Japanese: ショットガンの脅威)Hideo HayashiRyōsuke NakamuraFebruary 20, 2001 (2001-02-20) 21"The Way to Capture a Prodigy"
Transliteration: "Tensai kōryaku no michi" (Japanese: 天才攻略の道)Akira ManoKenji SugiharaFebruary 27, 2001 (2001-02-27) 22"Forward! Forward!!"
Transliteration: "Mae! Mae!!" (Japanese: 前へ!前へ!!)Mitsuyuki MasuharaYasuko KamoMarch 6, 2001 (2001-03-06) 23"The Other Semi-Final"
Transliteration: "Mō hitotsu no junkesshō" (Japanese: もう一つの準決勝)Nanako ShimazakiDaisuke AranishiMarch 13, 2001 (2001-03-13) 24"To the Promised Place.

08. I was getting into when I first started Mushoku Tensei, my problems begin when the characters get away with rape, pedophilia and sexual harassment and instead, the show plays all of these very sensitive topics in a comedic sense, almost as if they were no big deal. Rape is played off as a joke, pedophilia as a character quirk that has nothing wrong with it, and sexual harassment like flirting.
I don’t argue against the fact that these things can be represented well in anime, but I am not supportive of how easily it’s played off as a humorous copout. I’ve never read the novels, so I speak of what I watched in the first 11 episodes of Mushoku Tensei. LN fans insist these issues will dwindle and Rudues will change for the better as the story progresses, which is fine.
Hell, it’s not Rudeus or the characters I have a problem with. There were, and are scumbags in the world and there always will be, and I don’t mind their portrayal in anime. In fact, I think some anime have too many characters without flaws. My problem is with the presentation. If you’re going to touch on such delicate matters, there’s a fine line that needs to be tread.

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"Start Over" (Inst. ) Park Sung-il 3:2010. "Still Fighting It" (Inst. ) Ben Folds 5:2011. "Our Souls at Night" (Inst. ) Park Sung-il 4:4412. "No Break" (Inst. ) Park Sung-il 2:5313. "Someday, The Boy" (Inst. ) Park Sung-il 4:48Total length:52:28 CD 2[e]No. TitleLyricsMusicArtistLength1. There is so much buildup required for each goal. Blue Lock doesn’t have nearly enough of this. I think it’s because of this ignorant “ego” thing they try to drive into each player. The mortifying “chemistry reaction” and “devouring” they keep bringing up as what they believe to be “football”. To anyone who has not seen football, please do not look at this affront and think this is what football’s about. It’s so cringey and it hurts every fiber of my being.
Similarly, players like Bachira and Chigiri are obviously more suited to be wingers. Yet they’re still pushed into this rigid idea that they’re number 9s. It does a huge disservice to your greats like Kagawa and that legendary Japanese midfielder that people get disappointed when they pack in Fifa. These midfield Maestros are some of your greats, why would you think to disrespect them by saying strikers are the most important position. Take some time to look back at the past few world cups, was Giroud the main reason France won the world cup in 2018? How about Spain’s 4-6-0 formation where they fielded 0 strikers and won the world cup in 2010? It’s just this cringey decadent idea that strikers are the most important part that I just know comes from a place to get impressionable children riled up for your show.