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Masaru looks after the well-being of his friends, especially that of Kiyoko who is
physically frail.
Akira (アキラ, designated No. 28 (28号, Nijūhachi-gō)) Akira is the eponymous character of the series. He has immense psychic powers, although from outward appearances he looks like a small,
normal child. He is responsible for the destruction of Tokyo and the beginning of World War III. After the war, he was placed in cryogenics not far from the crater created by him, and the future site of the Neo-Tokyo Olympic Games. Shortly after being awoken by Tetsuo, he destroys Neo-Tokyo during a confrontation between Kaneda and the Colonel's forces. Later in the story, he becomes Emperor of the Great Tokyo Empire. When he first appears, Akira has not aged in the decades he was kept frozen. Akira is essentially an empty shell; his powers have overwritten and destroyed his personality, leaving someone who rarely speaks or reacts,
with a constant blank expression on his face. In the end, he is shot by Ryu while psychically synced with the increasingly unstable Tetsuo.
Retrieved October 4, 2023. ^ Grein, Paul (January 7, 2024). "A Barbie Song Won at 2024
Astra Film Awards, But It Wasn't the Billie Eilish Hit". Billboard. Archived from the original on January 7, 2024. Retrieved January 8, 2024. ^ Browning, Jacob (October 19, 2010). "News: Blue Exorcist Manga Listed by Viz's Distributor". Anime News Network. Archived from the original on July 4, 2022. Retrieved March 21, 2011.
These are typically much more convincing arguments for their victory than Ippo's, who is new to the boxing world and is on the losing side of the fight until it eventually comes down to, once again, Ippo simply lasting longer than his opponent despite an overwhelming disadvantage. In particular, I found myself rooting for the Russian boxer Alexander
Volg Zangief. The emotional weight of his fights and career was more powerful than anything Ippo ever managed to achieve.
Ippo's romantic life is also given some focus, but it seems more like an afterthought. His romantic interest, Kumi Mashiba, is your typical ideal domestic housewife and devoted fan. Her relationship with Ippo begins with a quick meeting at a flower shop very early in the show and, despite their insistent tendency to meet frequently, it never really progresses very far.
Regardless of Ippo's boring fights, there are moments of interesting boxing action. Specifically, the writing and choreography of the fights seem to become levels better when Ippo is not one of the participants. This shows in two places in the show - a short arc about Ichiro Miyata
training in Mexico, and the subplot about Takamura Mamoru earning and defending his title. In both of these the viewer finds more complex characters and detailed, well-thought out fights that capitalize on everything their respective subplots have to offer. If only there was more of these sorts of fights and less of Ippo winning not because he deserves it but because he has to win somehow for the plot to progress.
