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Takamura asked Ippo, who fought both, who would win in the pro ring, but Ippo really did not know. That night, Takamura's WBC junior middleweight title match was announced. Hearing the news, Ippo arrived to the Chūka Soba and was surprised to see everyone so down. It was then explained that the champion's manager scheduled the match for December, knowing that Takamura would not have a chance to recover in his match in October. Ippo telling Itagaki that it was his fault he lost. At the Kamogawa gym, Ippo learned that he would be having a third JBC title defence match as a semifinal for Takamura's match against champion at the Ryōgoku Kokugikan if he wins his next match. When Fujii entered the gym to give details about the champion Bryan Hawk, Ippo was shocked to find out that Hawk hates to train. Ippo arrived to the Kōrakuen Hall to watch Itagaki, Kimura, and Takamura's matches. After Itagaki lost his debut match by Fumito Makino's fouls, Ippo went to Itagaki's changing room and explained how they were not fouls as the referee did not stop the fight and that it was Itagaki's fault. Ippo returned to Aoki at the audience seats as Kimura's final tenth round against Arman Alegria was about to begin after the previous rounds consisted of Kimura throwing large swings. Ippo then watched as Kimura won in a decision and Takamura won in a ring out victory against Morris West.

Fortunately, a mysterious beauty named Satella, in hot pursuit after the one who stole her insignia, happens upon Subaru and saves him. In order to thank the honest and kindhearted girl, Subaru offers to help in her search, and later that night, he even finds the whereabouts of that which she seeks. But unbeknownst to them, a much darker force stalks the pair from the shadows, and just minutes after locating the insignia, Subaru and Satella are brutally murdered.
However, Subaru immediately reawakens to a familiar scene—confronted by the same group of thugs, meeting Satella all over again—the enigma deepens as history inexplicably repeats itself.
[Written by MAL Rewrite]EditBackgroundRe:Zero kara Hajimeru Isekai Seikatsu adapts the first nine volumes of Tappei Nagatsuki's light novel series of the same title.
An edited version of the series, titled Re:Zero kara Hajimeru Isekai Seikatsu: Shin Henshuu-ban (Re: Zero -Starting Life In Another World- Director's Cut), received a rebroadcast starting January 1, 2020.

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December 28, 2018. Retrieved 2019-04-01. ↑ "Jason Thompson's House of 1000 Manga - Hunter x Hunter". Anime News Network. April 26, 2012. Retrieved 2018-02-18. "Japanese Comic Ranking, October 1-7". Anime News Network. 2018-10-10. Retrieved 2018-11-25. ↑ Chart references: "Japanese Comic Ranking: Top 10 Manga of 2007". 620 VF Scan Rebirth of the Urban Immortal Cultivator. 619 VF Scan Rebirth of the Urban Immortal Cultivator. 618 VF Scan Rebirth of the Urban Immortal Cultivator. 617 VF Scan Rebirth of the Urban Immortal Cultivator. 616 VF Magic Emperor 06/3/2024 Scan Magic Emperor. 443 VF Eden’s Zero hot 06/3/2024 Scan Eden’s Zero.
Ainsi ont été diffusées à la chaîne des séries aux tonalités très variables, des titres légers et humoristiques (Juliette, je t'aime, Le Collège fou, fou, fou, etc. ) alternant avec des titres sombres et / ou violents (Les Chevaliers du Zodiaque (Saint Seiya), Dragon Ball puis Dragon Ball Z, Nicky Larson, ou Ken le Survivant), plutôt conçus pour un public adolescent. Face aux réactions outrées d'associations familiales et de personnalités politiques (notamment Ségolène Royal, à l'époque députée des Deux-Sèvres[24],[25]), les épisodes ont été de plus en plus censurés[26], et, s'agissant de Ken le Survivant (de même que Nicky Larson dans une moindre mesure), ont en outre fait l'objet d'un doublage outrageusement fantaisiste (à l'initiative de l'équipe des comédiens de doublage), parfois très éloigné de la version originale, bien plus sombre et juste[27]. Cette forme d'édulcoration et de dénaturation de la série a reçu un accueil très partagé de la part du public. Adaptation française[modifier | modifier le code] L'adaptation française est issue d'un malentendu : à l'époque, les responsables de programmation des chaînes françaises achetaient des catalogues entiers d’animes, productions à faible coût qui permettaient de remplir leurs grilles jeunesses[18]. De ce fait, Ken le Survivant qui, au Japon ciblait un public adolescent et adulte, est présenté en France comme une émission pour enfants[18].