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But looks less animesque as Art Evolution goes. Gurihiru's artwork on Superman Smashes the Klan. In particular, the villain's hair and facial expressions are blatant "Shōnen manga villain" during the climax, which is amusing given his white supremacist motivations. Ninja High School was drawn and written by Ben Dunn, an admitted anime and manga addict, and spoofs and/or parodies anything and everything in the genres that it can get away with in its early issues. Later, it settles down into an actual overarching plot, but the parody elements (as well as the art style) remain woven integrally in. Gold Digger, another Antarctic Press title by Fred Perry, has an art style heavily influenced by anime/manga, but the artist himself tends to keep the proportions within the art consistent and avoids the common visual gags for the most part.

The male lead has no moral code whatsoever and will absolutely drop kick a woman in the name of equality. The goddess is anything but godly. Their tank is a pervert, and their mage is a one-pump-chump with a taste for destruction. The show is hilarious and has my sincere approval. 28. Overlord The main selling point of Overlord has to be its MMORPG word building, and the absolute power of the main character Ainz. The catch is that only Ainz is transported into this world and the other NPCs simply gain life, meaning that he can metagame everything but also that he has no real stakes involved. He does set out to conquer the world. But only as a means of gathering information and seeking out other players. His position is the backbone of the show, as people constantly look to him as a God even though my dude is just an avid gamer, making him improvise everything on the spot. 27.

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Every character is made to be fooled, every rule is made to be broken, and everything is made to bend to God Yuichi’s sadistic, malicious will. There can only be one true edgelord to rule them all.
Then there’s the themes, which are not only pathetic, but also, perhaps unintentionally, weird and off-putting. Occasionally, one of the showrunners pretentiously applies a generic observation of human behavior onto some event which is only broadly relevant. Anyone who’s gone outdoors for three seconds of their fucking life and has interacted with humans for at least one of those seconds could conjure up similar commentary. Most of the time the characters being commented on are forced into the scenario anyway, and that leads into a more subtle issue with the show—and that’s how dishonest it is. The big, prominent theme is supposed to be choosing between friends or money, and the fact each friend was willing to go into crippling debt to help their friend who just betrayed them should be enough to prove where their loyalties lie. Yet no one ever mentions how this is a misrepresentation of the actual choice being presented, because not being in debt isn’t really the same thing as winning money. These pathetic attempts at theming are rather obvious if you ask me, but the weird and off-putting themes are less so. As discussed, real examinations of friendship don’t matter. But if that’s the case, then what drives conflict? You guessed it—classic teen melodrama. Sun-News. p. 7. Archived from the original on September 8, 2023. Retrieved September 8, 2023 – via Newspapers. com. Archived from the original on December 19, 2018. Retrieved December 19, 2018. Mateo, Alex (April 11, 2019). "Jump Force Game Adds My Hero Academia's All Might". Anime News Network.