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Stone 4. 87 Mashle 4. 84 Gachiakuta 4. 78 Wind Breaker (Nii Satoru) 4. 87 Tokyo Revengers 4. 86 One-Punch Man 4. 87 Hajime No Ippo 4. 87 Jujutsu Kaisen 4. 86 Solo Leveling 4. 82 Kingdom 4. 83 Blue Lock 4.[146][147] It also currently holds the title of appearing on the list for a volume with 121 weeks. [148] Volume one was also number one on Nielsen BookScan's list of top 20 graphic novels in American bookstores for October 2013,[149] and for the month of September, the series had more volumes on the list than any other series. [150] The following table lists the annual content revenue from Attack on Titan media in Japan. Year Media content revenue in Japan Notes[c] Ref 2013 ¥14,700,000,000 ($151,000,000) Physical and digital media [151] 2014 ¥13,000,000,000 ($123,000,000) Physical and digital media [152] 2015 ¥7,308,359,519 ($60,377,697) Physical media only [153] 2016 ¥3,845,406,579 ($35,346,117) Physical media only [154] 2017 ¥4,196,052,143 ($37,409,258) Physical media only [155] 2018 ¥3,137,123,693 ($27,968,544) Physical media only [156] 2019 ¥2,598,783,077 ($23,839,933) Physical media only [157] 2020 ¥2,460,695,769 ($23,045,707) Physical media only [158] 2013 to 2020 ¥51,246,420,780+ ($482,716,387+) Critical response Many have analyzed Attack on Titan as representing "the hopelessness felt by young people in today's society". [2] Writer Mao Yamawaki called it a "coming-of-age story of the boys and girls at its core", with a new mystery every episode. It is these mysteries that critic Tomofusa Kure said amplifies readers' expectations.
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