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Archived from the original on March 26, 2018. Retrieved September 24, 2020. ^ "Fans Chat with Oda Sensei!" Shonen Jump #84. Volume 7, Issue 12. December 2009. 32.

[12] The staff also had difficulty deciding on a song to use for Subaru's ringtone that plays during the closing scene of episode 19, considering songs like "Kanpaku Sengen," "The Beard Song," and "M" by Princess Princess, before settling on "Yoake no Michi" from Dog of Flanders. [12] Soundtrack[edit] While choosing a composer to produce the series' music, director Watanabe wanted to choose someone who had "hit a nerve" with him. A fan of drama series, Watanabe was struck by a piece of music in the medical drama Death's Organ, and found that the series' composer, Kenichiro Suehiro, had also worked on a number of his favorite anime and drama series. [17] After Suehiro was attached to the production, Watanabe gave him three major guidelines: use human voices during the Return by Death sequences; compose the music like he would for a drama or a movie to capture the emotional scenes; and "pull all the stops" for the suspenseful scenes. [17] Additionally, for the first cour, Watanabe asked for music with a "suspenseful" vibe, while requesting music with a "romantic" feel for the second cour. [17] Both Watanabe and Suehiro are fans of Italian composer Ennio Morricone, and Suehiro tried to take inspiration from his works while composing the soundtrack. [17] Watanabe also requested that there be songs that mimicked Hans Zimmer's score from The Dark Knight. [17] While Suehiro used music that wasn't very "anime-ish" during most of the series, he was asked to use more traditional anime music during the slice of life scenes. [17] A number of times during the series, such as in episodes 7 and 15, Watanabe made it a point to use an entire song, something which is unusual in most anime. [17] The series makes limited use of its opening and ending themes, and Watanabe has said that he wished he could use them more frequently. [9] Media[edit] Web novel[edit] The Re:Zero web novel was initially serialized by Tappei Nagatsuki (writing under the username Nezumi-iro Neko (鼠色猫, "Gray Cat")[18]) on the user-generated content site Shōsetsuka ni Narō from April 20, 2012, onwards.

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Atsushi Suedou, who is in the audience, jumps into the ring to try to prove that karate can win, attempting to prove Strydum's statement is wrong, only to be instantly knocked out by Yuujirou. Doppo attempts to try and pierce the Ogre's abs with his arms, only to be outdone by Yuujirou's reflexes, and have his eardrums ruptured. Doppo falls to the ground for a few seconds, with everyone watching thinking he is done. Doppo stands back up to keep fighting, but Yuujirou then suddenly rips out Doppo's right eye out of its socket. The Ogre finishes the match by delivering a punch directly to Doppo's heart, almost killing him. Later, he comes to see his son's fight against Kureha Shinogi. At some point it seems that Baki has lost and then Kureha provokes Yuujirou to come down to the arena. Yuujirou accepts the offer and comes to him. But then Baki rises up and tells his father to not interfere. The Ogre looks at Baki's fighting position and guesses what technique his son will want to use. He wishes him good luck and leaves the ring. Retrieved September 27, 2023. ^ "Madhouse. co. jp" はじめの一歩 (in Japanese). Madhouse. Archived from the original on September 15, 2020.
Whether an Icelandic settlement wracked by the elements, the town of York or a mountainous passage in Wales, there is a plethora of gorgeous landscapes that caught my eye.
[2. About the audio sector]
I won’t say much, despite valuing sound direction, voice acting and music a lot. I’m mostly content, though I would prefer a more medieval-sounding OST rather than one fitting for a stock shonen.
Characters from different peoples were supposed to be unable to communicate, but all lines are in Japanese. I recall the first chapter featuring Franks speaking in (nonetheless modern) French when in the presence of Norsemen, to portray this. An understandable break from reality, given how difficult it would be to include lines in Welsh, Old Norse, etc. But it still seemed odd.
[3. On to the non-production factors, starting with characters]
(-) I’m either neutral or dislike most of them.
Thorfinn is a flat revenge story protagonist: being obsessed, brooding and resentful are his sole traits.