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Shueisha. Archived from the original on December 1, 2017. Retrieved November 22, 2008. ^ One Pieceイラスト集/Color Walk/3/Lion (in Japanese). Shueisha. Archived from the original on December 1, 2017. Retrieved November 10, 2010. ^ "One Piece Rainbow!" (in Japanese). Shueisha. Archived from the original on July 22, 2013. Retrieved December 3, 2010.


Eu comecei a ler 20th century boys com bastante expectativa, pois é um mangá que eu sempre vi em . todo top 10 de mangás, e logo no primeiro capítulo eu fiquei me perguntando "o que tá rolando?" e com o passar do primeiro volume esse sentimento só foi aumentando. Não que seja algo confuso de entender, muito complexo ou que não faça sentido, é só que as coisas não parecem encaixar logo de cara, e isso é devido a maneira com que a história é contada. Ela alterna entre passado, com os personagens crianças, e o presente, com eles adultos. Essa dinâmica dá um ritmo diferente a obra e uma personalidade única a ela. Pra entender o presente você primeiro entende o passado das crianças, e pra entender o passado você primeiro entende o presente delas. A princípio nada parece fazer sentido, mas depois que você vai juntando informações do passado com do presente, vários estalos vão dando na sua cabeça e tudo passa a ser incrível. O Urasawa foi simplesmente genial quando criou o roteiro dessa história e como executou ela. Uma história que te faz tentar solucionar o mistério com os personagens e se sentir parte do grupo — Me lembrou muito "it, a coisa", inclusive.

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An inexperienced priestess joins her first adventuring party, but comes into danger after her first contact involving goblins goes wrong. As the rest of her party is either wiped out or taken out of commission, she is saved by a man known as Goblin Slayer, an adventurer whose only purpose is the eradication of goblins with extreme prejudice. Characters[edit] The characters in this story do not carry proper names but are named by their classes or occupations. Goblin Slayer (ゴブリンスレイヤー, Goburin Sureiyā) Voiced by: Yūichirō Umehara[3] (Japanese); Brad Hawkins[4] (English) A 20-year-old silver ranked adventurer who only concerns himself with hunting goblins (小鬼(ゴブリン), goburin, lit. "little demon"), to the point where the Guild has given him a Specialist classification due to both the sheer number of goblins that he has killed as well as his work in studying their habits and biology. Uninterested in fame or glory, Goblin Slayer is only interested in goblin hunting quests and refuses others, although he occasionally accepts other quests if he is low on funds or for reasons beyond his control. As a child, he was the sole survivor of a goblin attack on his village and witnessed his older sister being gang raped and murdered by goblins while hiding under the floor boards of his house, an event that defined his deep hatred and homicidal obsession of killing all goblins. He is later rescued and taken in by Burglar who taught him the skills that was needed to kill goblins. Five years later, he applied for the adventurers' Guild and was taken in by the uncle of his childhood friend who left just before the attack on their village, Cow Girl. He uses his income as an adventurer to pay for his stay and helps with chores and deliveries. Goblin Slayer uses equipment that appear to be average to below average and is often underestimated because of this. Fuu saves Mugen and Jin from execution, then forces the pair to aid in her quest to find a samurai who smells of sunflowers. Structured similar to a road movie, the series focuses on tolerance and acceptance of minorities contrasted against its setting, with a central theme being the portrayal and acceptance of death. Director Shinichirō Watanabe began planning for the series in 1999, creating the characters and premise during his work on Cowboy Bebop: The Movie and The Animatrix, and began pre-production in 2002. The staff included character designer and animation director Kazuto Nakazawa and writers Shinji Obara and Yukihiko Tsutsumi of Office Crescendo. The music was composed by hip hop artists Shinji "Tsutchie" Tsuchida of Shakkazombie, Fat Jon, Nujabes and Force of Nature. The production was unstructured, with the scenario going through multiple revisions, and Watanabe bringing in multiple guest creators to ensure a high animation quality.
Facing imminent expulsion, Kiyoshi and the others reconcile with each other before heading off to sleep. 10"It's a Bum-derful Life!"
Transliteration: "Subarashiki shiri kana, jinsei!" (Japanese: 素晴らしき尻哉人生!)Daisuke TakashimaSeptember 12, 2015 (2015-09-12) Kiyoshi and the others have lost hope, except for a crazy Gakuto who makes nonsensical breakout plans. Meiko gives the boys the request of choosing their last meal. Gakuto's fried grasshoppers and rice dish proves to be so disgusting that he breaks free of his irregular state, and inspires him with a legitimate breakout plan, after looking upon Kiyoshi's note from Chiyo. He discusses the plan with the others, but they say they are short on time to carry it out. After Meiko hands them their withdrawal papers, Kiyoshi suggests to write an appeal to the Chairman to have more time for Gakuto's plan. To her surprise, the Chairman responds back to the appeal; it is revealed that the appeal Meiko had ripped was a decoy, and that Kiyoshi used his knowledge of the Chairman's buried explicit photos to persuade him to come. He will postpone the expulsion date only if in a Boobs vs. Butts debate, Kiyoshi's preference aligns with the Chairman's. Meanwhile, as Meiko tries to eavesdrop outside the prison, Hana goes berserk, as the repressed memories of her and Kiyoshi under the hospital bed surface once again. Despite the Chairman declaring the expulsion postponed, the boys only have a one-day reprieve.