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When the crew rescues their archaeologist Nico Robin at Enies Lobby, Nami receives a bounty along with the rest of the crew. In Thriller Bark, Nami is kidnapped by the zombie Absalom, who tries to force her to marry him. The crew's cook Sanji tries to rescue her, but Absalom incapacitates him and attempts to complete the wedding. Nami is saved by the zombie Lola, who later gives Nami her mother's Vivre Card, a piece of paper representing the owner's soul. While attempting to reach Fish-Man Island, the crew meets the mermaid Camie and rescues her friend, who turns out to be Hatchan, a former member of Arlong's crew. While Nami does not yet completely forgive Hatchan for his previous association, she appreciates his takoyaki. After being separated from the crew by Bartholomew Kuma, Nami ends up on the floating island Weatheria, where she masters the meteorological arts. Two years later, Nami reunites with Luffy and the others and they head to Fish-Man Island. Reuniting with Camie, the crew is invited to King Neptune's palace. There, they encounter a new crew of fish-man pirates led by Hody Jones, who has inherited Arlong's will. Nami and Camie escape to the Sea Forest, where they meet Jimbei, a fish-man pirate who formerly served as a World Government Warlord and released Arlong into the East Blue.


The third game was a simple hide and seek game, except the hider can’t move, so they can’t get any food. It felt like a battle of wits between the two teams, but in the end, it was a pretty anticlimactic conclusion, with violence just being the answer to everything. Expected a bit more from this.
There are other backstories that I won’t go into here, but even though I have said a few negative things about each game, there are still positives, in that the suspense factor is handled pretty well, even if it relies heavily on shock value. Yuuichi’s struggles are always fun to see, and his ways to get through each game are enjoyable as well.
ART: 6. 2/10
The animation is fine, but a bit lacking. The expressions could have been handled even better to evoke that sense of “evil” from Yuuichi, and all the other emotions from the other characters.
MUSIC: 8. 9/10
Huge fan of both the opening and ending from this series. Nana Mizuki and Saji do a great job, and I never skipped them.

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Anime News Network. Archived from the original on 2012-01-03. Retrieved 2 January 2012. ^ "コードギアス 反逆のルルーシュSTAGE-0-ENTRANCE" (in Japanese). Kodakawa Shoten. Archived from the original on October 20, 2012. Retrieved March 23, 2011. ^ Taniguichi, Goro; Ohkouchi, Ichirou; Takuma, Tomomasa (2009). Nightmare Of Nunnally Volume 1. Bandai Entertainment. ISBN 978-1594099793. Archived from the original on August 2, 2017. ^ a b c Creamer, Nick (March 25, 2016). "KonoSuba – God's Blessing on This Wonderful World! [Episodes 1-10 Streaming]". Anime News Network. Retrieved August 30, 2017. ^ Martin, Theron (February 23, 2017).
That is what I most love about this anime. Anyways, I love Arima Kana.
What I believe, though, that makes this series so special is its originality. Getting to know the 'backstage' of digital media in Japan is so interesting. And it shows us everything. From idols, to streamers, to actors. Obviously, it has its problems, but I do not think that it is supposed to be 100% accurate. The plot needs to be different than your average idol anime. And it is. While, as I mentioned before, the reason for the obsession with Ai is not really believable, you kind of get used to it. You accept it.