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Transliteration: "Masshu Bāndeddo to Ōkina Tō" (Japanese: マッシュ・バーンデッドと大きな塔)Directed by : Keisuke Shiraishi
Storyboarded by : Takeshi FurutaKento ToyaMarch 2, 2024 (2024-03-02)[20] With his Time magic Innocent freezes everyone, though Wahlberg is somehow unaffected. Innocent summons demons to attack the frozen audience so Wahlberg unfreezes Mash, his friends, Kaldo and Orter to fight them while he teleports away with Innocent to battle at a safe distance. The demons suspiciously avoid Mash so instead he races away to battle Cell War who has summoned a black carbon tower to attack the audience from above. After Mash topples his tower Cell is delighted at the opportunity to fight Mash after their previous encounter, yet he is shocked to find Mash doesn’t even remember him. Dot and Lance are turned into infants by Sitter Baby, leaving them defenceless until Sitter brags his spell has reduced their magic by 90%. Lance concentrates his remaining 10% into a 1 inch spot on Sitter’s back and crushes him, returning himself and Dot to normal. It is revealed Innocent and Wahlberg were both students to Adam, the strongest dark mage in history, so their magic is equal in power. Innocent uses a forbidden spell; Living Dead. Cell threatens to kill Mash’ friends. Mash easily avoids Cell’s carbon spears and punches him, revealing he finally remembered him and his attack patterns, making beating him even easier this time.
Let's talk more about the actually show itself for a moment though.
In terms of looks, the original adaptation managed to transpose the characters fairly well, and while they didn't really require any bouts of creativity in general, there were a few new faces as, at the time, the manga hadn't actually introduced all the players. As for the various locations in which the characters find themselves, the first adaptation generally followed the path laid down by the manga, however there were also some surprisingly original and inventive additions to the various locales, many of which are unique to this particular adaptation.
Strangely enough though, the quality of the animation is almost the same as that of Brotherhood, and given the large degree of crossover in both adaptations, this is actually surprising as usually one version is greatly superior to the other. That said, the new series does have the advantage of seven years of improvements in animation, so one would be forgiven for thinking the margin between the two would be bigger.
Where sound and music are concerned, one might expect more pronounced differences between the two adaptations, however this is not the case. The selection of music for the first adaptation is actually very good throughout the series, and also gave rise to one of the catchiest opening themes in shounen anime - "Ready Steady Go" by L'Arc-en-Ciel. The aural effects are well chosen and choreographed, and while there are many occasions that feature frenetic clashes and lots of noise, care has generally been taken to modulate this to a level that won't unnerve the viewer (admittedly there are some minor overwhelming moments, but they're not really worth going into any detail as they don't really affect the story in any way).
As for the acting, granted there are some different seiyuu between the two adaptations, but the series' big guns are in force in both. That said, while there is some acting continuity between the two, the actual quality is a little better in Brotherhood, however this may be due to an increased familiarity with the characters, and also because Brotherhood is far more a straight forward shounen tale than the original adaptation- something which actually shows in the acting.
And now to the most interesting bit - the characters.