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[53] Fandom Post noted that while some episodic stories work out, the series suffers fatigue in the second half as the characters focused stories felt stronger than the scenario and sometimes felt that Hyakkimaru was too overpowered when fighting demons. [66] Although the animation remained consistently praised, the animation direction in Osamu Kobayashi's the televised airing of the 15th episode was not as positively received. [67][68] Despite enjoying the scenario, UK Anime Network said that Dororo could have "from having a less staccato narrative" as well as a more balanced storytelling. He still recommended the series to Berserk and Demon Slayer: Kimetsu no Yaiba fans due to the heavy fights and narrative style. [69] Notes[edit] ^ Credited as プロデュース (Produce) rather than as a プロデューサー (Producer) References[edit] ^ "Dororo". Fuji Creative Corporation. Archived from the original on January 20, 2021. Retrieved January 20, 2021. ^ 鈴木拡樹・北原里英が“伝説”に、百鬼丸が殺陣を披露「どろろ」東京へ. Stage Natalie (in Japanese). Natasha, Inc.

Anime News Network. July 10, 2008. Archived from the original on August 22, 2008. Retrieved August 22, 2008. ^ 判明 『少年ジャンプ』伝説の編集者は連載に懐疑的だった!?. Livedoor (in Japanese). March 26, 2018. Archived from the original on March 26, 2018. Retrieved September 24, 2020. ^ "Fans Chat with Oda Sensei!" Shonen Jump #84. Volume 7, Issue 12.

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And now this same kind of forcefulness is being carried over to Re:Zero.
And 17-minutes into episode 11, Suburu states, "You know, Rem, you keep putting Ram on a pedestal and undermining yourself—," while the camera unapologetically focuses on blue and pink flowers, both literally sitting in a vase (pedestal) of equal height. These are the kinds of things that Re:Zero does repeatedly that demonstrate its lack of restraint. Constantly drawing attention to your symbolism only defeats the purpose of it, to begin with. Symbolism and motifs alike are supposed to be discovered, not spoon-fed. And this is the problem with this show: it can't simply let things be without intervening with forceful resolve.
And then you have ideas that are used only to add detail to the universe or serve as a new plot reveal to keep the story exciting, but that are never properly thought out.
Like the battle against Moby Dick, a beast with the ability to erase the memory of people's existence consumed by its fog. We get an example of this when Rem sacrifices herself to save Suburu and is immediately forgotten by everyone who knows her. But yet, when this incident occurs again during the heat of battle against a battalion in episode 20, the powers don't work the same way. Where in the case of Rem her very presence and existence was erased, in this battle, soldiers only forgot the names of the soldiers lost in the mist but are still aware of the fact that people are missing. The film began production in early 2020, eventually being announced as completed by October 2022. Its themes were inspired by the 2011 Tōhoku earthquake and tsunami. A novel adaptation, also written by Shinkai, and a manga series illustrated by Denki Amashima both debuted prior to the film's release. Suzume first premiered in IMAX in Japan on November 7, 2022, followed by a theatrical release by Toho on November 11. It received largely positive reviews from critics, with praise directed towards the characters, animation, visuals, music, and emotional story. The film grossed over US$316 million worldwide, making it the fourth highest-grossing Japanese film of all time as well as the fourth highest grossing film of 2022 in Japan.
4 million copies sold,[110] while volumes 12–14 were among the best-selling manga volumes from the same period. [111] Volumes 13 and 14 were among the best-selling manga volumes of 2023. [112] In North America, the volumes of Chainsaw Man were ranked on NPD BookScan's monthly top 20 adult graphic novels list since October 2020. [113] They were also ranked on The New York Times' Graphic Books and Manga bestseller monthly list since April 2021. [114] According to ICv2, Chainsaw Man was the tenth best-selling manga franchise for Q4 2021 (September–December) in the United States, and it was also the third "most efficient manga franchise" for retailer bookshelves, based on the website's calculations of which manga franchises had the highest sales per volume. [115] According to NPD BookScan, the first three volumes of Chainsaw Man were ranked among the top 20 highest-selling manga volumes in 2021;[116] it was the best-selling manga series in 2022, with eight volumes featured on the top 20 highest-selling manga volumes;[117] four volumes were among the top 20 highest-selling manga volumes in 2023.