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The series also uses characters who naturally have abnormal hair colors, which is uncommon in American animation, and has some Magical Girl traits. The show has Eye Catches as well, which are more common in anime than American cartoons. Jonny Quest: The Real Adventures is visually similar to Nausicaä of the Valley of the Wind because one of the studios contracted to animate the show was Pacific Animation Co. from Japan, a remnant of Topcraft, who did the anime film. Kappa Mikey: Everyone save the title character is drawn in a limited-animation anime style as the show is set in Japan — therefore everyone there is Japanese and must be drawn in a Japanese style, except the title character, who is American and drawn in a much simpler fashion. It pulls no punches when it comes to Facefaults and thinly veiled parodies. This is played for laughs in one scene when everyone gets a big-head facefault except Mikey, being drawn in American style. He holds his breath in an attempt to copy them, fails, then mumbles, "Show-offs". Kipo and the Age of Wonderbeasts: The show's artstyle alone gives off this vibe, to say nothing of that fact that the animation is done by Studio Mir. The Legend of Vox Machina has a typical anime intro with an animation similar to Sakuga style, characters fighting enemies they will never meet in the show, solo character shot and all the main characters doing the typical Team Shot watching the sunset. The character designer is none other than Phil Bourassa, who also did Young Justice (2010) and DC Universe Animated Original Movies, and some of animation renderings were made by Production Reve, which is specialized in other Animesque shows like Voltron: Legendary Defender, DOTA: Dragon's Blood and The Legend of Korra.[5] Togashi gave Netflix and the showrunners creative freedom; Sakamoto said the original creator's only request was for them "to ensure a great quality adaptation. "[5] Tsukikawa stated that there was an initial idea to tell the story of YuYu Hakusho in three seasons, "But realistically, we didn't know how long that was going to take, so we ended up doing five episodes and just showing part of the long, epic story". [6] According to Sakamoto, the show took almost five years to complete; two years of pre-production, more than 10 months of filming, and another two years for post-production. [5] The show's creators revealed that because YuYu Hakusho's fantasy premise and supernatural action make it a VFX-heavy title, production companies were afraid to take on the project. [5] Even when Tsukikawa was brought on board, he thought it would be an impossible project to materialize. [5] Due to the large amount of VFX, eight such companies worldwide contributed to the show. [6] According to Morii, "Japanese creators have the vision and knowledge on how to do these VFX but they had no experience, so this was the first time they went through this top-class VFX process. "[6] Sakaguchi revealed that the Toguro brothers proved especially difficult as they had to integrate CGI with the two actors' real-life acting and facial expressions; "We could have done it differently, but it was very important for the director that the actors' performances drove everything in the show. "[6] Casting[edit] On casting, Morii said they looked for actors who could capture what was great about the characters in the original manga and in their script, "It doesn't necessarily mean that they need to look exactly like the characters. Instead, we tried to look for people who could portray and capture the essence of the characters. "[5] In July 2022, Netflix announced the series would star Takumi Kitamura as Yusuke Urameshi,[4] Shuhei Uesugi as Kazuma Kuwabara,[7] Jun Shison as Kurama,[8] and Kanata Hongō as Hiei.
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