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SB Creative has published nineteen volumes since January 2013 under their GA Bunko imprint. It has received two manga adaptations as well as an anime television series adaptation produced by J. C. Staff, which aired from April to June 2015. An OVA was released on December 7, 2016. A second anime season and an original anime film adaptation were both announced in February 2018.

This is the one point where Made in Abyss shines.
Character: 4/10
Why am I giving such a low mark to a show that heavily focuses on the relationship and adventures of 2 characters? Simple. 4/10 is for the 4 good characters of this show: Riko, Reg, Ouzen, and Nanachi. I will admit that these 4 are all quite charismatic and memorable. However, I hate kids, so I couldn't stand Riko and Reg most of the time. Ouzen, being one of the 2 characters I actually liked in Made in Abyss should have been developed more.

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Retrieved February 13, 2020. ^ "『劇場版 ソードアート・オンライン -プログレッシブ- 星なき夜のアリア』オフィシャルサイト" (in Japanese). Aniplex. Archived from the original on November 3, 2021. Retrieved November 5, 2021. ^ Mateo, Alex (August 2, 2022). "2nd Sword Art Online Progressive Anime Film Reveals New Trailer, Theme Song by Eir Aoi". Anime News Network. Archived from the original on February 6, 2023. Retrieved March 3, 2023. ^ "「ソードアート・オンライン ソングコレクション」". Speaking of clashing, her character trait of being a street rat who regularly attempts to swindle people or make a quick buck makes some of her more gullible actions in later episodes (15) seem entirely out of place. She has two sides to her that are fundamentally at odds with one another at times, resulting in a character that feels weak, on top of feeling shallow. That shallowness is compounded by the lack of development, a trait which only Hyakkimaru and one of the antagonists have any kind of access to (as dodgy as their development is). I know that a lack of character development is one of the tackiest, most misused complaints thrown at an anime, but when the characters are this shallow, and none of the side stories leave any kind of impact on a pair of characters consisting of a child and a person slowly gaining back and developing his humanity, I'm left begging for something, anything to change before completely checking out by episode 18.
I’m barely gonna touch on the side characters, even Hyakkimaru’s family and the people that serve them, as they’re mostly just boring character archetypes like the suffering mom, the warlord who cares about his nation almost as much as he does his reign over them, and the edgy, jealous younger brother who constantly tries to prove himself in order to not feel overshadowed. There’s also the wise, badass old man with some sense of humor. To be fair, the show does a fine enough job not screwing these characters up with dumb decision-making or erratic personality shifts, at least for the most part. It’s just that it’s hard to care about characters who are on autopilot, just as it’s hard to care about our main characters. There is one exception to the lack of character shifts, that being when in episode 12 Hyakkimaru’s brother suddenly goes from someone torn on the moral quandary of his brother’s life vs the nation that thrived off his unwilling sacrifice, to someone hell-bent on killing him after failing to end a deal between the demons who cursed Hyakkimaru, and his father who made a pact with them for the sake of power and a prosperous nation. Apart from that moment, you can predict every character’s archetype and actions the moment you see them. The only recurring character with anything to him is the guy that took care of Hyakkimaru for most of his life: Jukai.