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"[122] Dupree lauded the series' art style, stating: "as the Devil enemies of the story grow more powerful, his imagination for bizarre, abstract, and genuinely unsettling visual storytelling reaches heights I've never seen in a Jump series before. "[121]
Beckett called the character designs and general linework "a bit generic at first glance," but
that when "the carnage comes flooding in," the series "has a clarity of style and consistency of vision that can be wondrous to behold. "[120] McNeil said that the character designs, other than Pochita and Chainsaw Man, are "not memorable," but that the art "really shines for the creepy Devils, the action, and especially the gore. "[124] Regarding the devils' designs, Dacey wrote that some are "uninspired" and that the most memorable ones are "clearly designed to elicit an appreciative 'ewww'". [127] Wolf stated that the art of the series "feels better than its writing,"
adding that visually, the action and fighting make the manga appealing. [128] Themes[edit] Various reviewers have
commented on the use of violence and gory scenes within the context of the story. Dupree wrote that the "irreverent tone and deliciously gory violence" are elements that make the series "really stand out from the get-go. "[121] Collins wrote that the gory scenes, instead of being gratuitous, make the story feel "refreshingly unfiltered. "[122] McNeil commented that the series is "wonderfully absurd. It's funny, gorey [sic], and violent, but also has an interesting bit of humanity at its core. "[124] Davinson called it "casually gruesome and violent," but that it fits with its theme.
Retrieved September 14, 2023. ^ "Cyberpunk 2077
Crosses 20 Million Copies Sold As It Rides Edgerunners Wave". GameSpot. Archived from the original on September 28, 2022. Retrieved September 14, 2023. ^ "Cyberpunk: Edgerunners". Rotten Tomatoes. Fandango Media. Retrieved August 30, 2023. ^ Wilson, Jonathon (September 13, 2022). "Cyberpunk: Edgerunners season 1 review – a psychedelic anime bucks the
trend for video game adaptations".
[2] The series concerns the lives of 12-year-old Gumball Watterson, an anthropomorphic blue cat, and adoptive goldfish brother Darwin, who attend middle school in the fictional city of Elmore, California. They often find themselves in various shenanigans around the city, during which they interact with fellow family members—younger sister Anais, mother Nicole, and father Richard—along with an extended supporting cast of characters. Bocquelet based several of the series' characters on rejected characters from his previous commercial work while making its premise a mixture of "family shows and school shows", which Cartoon Network was heavily interested in. [3] After Bocquelet pitched The Amazing World of Gumball to the network, Turner Broadcasting executive Daniel Lennard green-lit the production of the series. The show was produced by Cartoon Network Studios Europe, in association with Boulder Media (Ireland; season 1) and Studio Soi (Germany; seasons 2–6). Gumball is noted for its intentional stylistic disunity, with characters designed, filmed, and animated using various styles and techniques, oftentimes within the same scene (stylized traditional animation, puppetry, CGI, stop motion, Flash animation, live-action, etc. ). [4] Although it is a children's series, Gumball comments on topics that are often considered serious or mature, including philosophy, marriage, cyberbullying, political intolerance, mental illness, and the human condition. The series has received critical acclaim and developed a cult following, with particular praises for its extensive references to popular culture and internet culture, sarcasm, subtle innuendos, dark humor, and metahumor. [5][6] On 6 September 2016, Bocquelet announced the series
would end
after season 6; he reaffirmed his position on Twitter in October 2018. [7] However, Turner Northern Europe was unable to confirm at the time whether the sixth season would be the show's last.
