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^ Sherman, Jennifer (November 26, 2019). "Demon Slayer: Kimetsu no Yaiba Franchise to Have Over 25 Million Copies in Circulation". Anime News Network. Archived from the original on January 9, 2020. Retrieved December 4, 2019. ^ Pineda, Rafael Antonio (February 7, 2020).

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Retrieved 24 July 2017. ^ "New Danganronpa V3 Game to Bundle Original Anime on January 12". Anime News Network. Archived from the original on 19 December 2016. Retrieved 8 January 2018. ^ Sunjun (25 July 2013). "Danganronpa's Monobear Is Coming To Conception II As DLC". Siliconera. Archived from the original on 29 June 2015. Retrieved 20 April 2015. ^ "Terraria Japanese trailer". Also also should he decide to do avenge himself in the first place. Nobara First off, I love that she has a personality and a genuine bond with other female characters in the show(low bar, yet one that's so hard for creators to meet). But I do want to talk about HER WEAPON. She could’ve had a way cooler weapon. But nooooooooo they gave her a fucking hammer. "Dude, do you mean a sledgehammer?" I wish, but no.
Re:Zero is simply too impatient for proper grooming, and as a result, we get villains that are essentially godforsaken hybrids of the Joker, Batman V Superman's Lex Luther, and the wacky waving inflatable tube men located outside of used car dealerships, snacking on their fingers like crispy chicken tenders. We get characters that deviate from common anime tropes to simply fall victim to yet another trope instead. Re:Zero's biggest enemy is itself, a show that can't be subdued even if it comes at the cost of its own integrity.
But what about the people that don't see these issues? What about those who are genuinely enthralled by Re:Zero's efforts? Those who, despite the obvious blare of ‘trying-too-hard’ fireworks, don't pick up on the show's underlying meaning until further inspection? What about the people who push the agenda of the show being "smart," "bold," and "enthralling?" The foot soldiers that perpetuate the show's self-worth, finding depth where others see beyond it? Surely they're not mistaken. What do they see that others don't? As it turns out, the real question isn't what they see, but what they choose to give the show credit for.
It's the interesting themes that Re:Zero flirts with throughout its narrative. The outer shell that masquerades as in-depth concepts. If there's no prior contact with the ideas that Re:Zero presents, this kind of perception is easy to understand. First exposure to something that insinuates a deeper layer could cause any viewer to wax philosophical. And there lies the difference: those that have seen the laminated copy, as well as the genuine article. When the same concepts are seen done right, suddenly that laminated copy starts to become all the more noticeable.