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October 3, 2022. Archived from the original on October 8, 2022.
Retrieved October 3, 2022. ^ a b c Loo,
Egan (April 8, 2022). "Makoto Shinkai Unveils New Anime Film Suzume no Tojimari's Heroine, November 11 Opening". Anime News Network. Archived from the original on April 11, 2022. Retrieved April 8, 2022. ^ 新海作品PRスタッフ [@shinkai_works] (April 8, 2022). 本日の朝日新聞朝刊(全国版)に『すずめの戸締まり』の全面広告が〜!! 鈴芽のビジュアルがついに解禁!!公開日も発表となりました!🚪✨ どのような物語になるのか、、ご期待ください! (Tweet).
[88][89] Charles Webb of Twitch Film voiced similar criticism in a review of the second film. However, he praised the
character Friend and Etsushi Toyokawa's performance as Occho, as well as the ending that makes the viewer anticipate the final
installment in the trilogy. [90] Jamie S. Rich also felt that the second movie "more than fulfills its prime directive of enticing me to stick around" for the final film. [91] On the third film, Burl Burlingame of the Honolulu Star-Bulletin wrote, "The steam seems to have run out of the franchise during this third part, and it's simply an OK capper to the series", but praised the special effects. [92] Variety's Russell Edwards also cited the special effects in the final installment as the best in the trilogy.
He will later describe himself to Suzume as a “Closer” — someone tasked with closing a series of mystical portals, lest a giant Worm escape and wreak disaster on the country — but at first glance, he’s little more
than a crush. After school gets out, Suzume goes looking for him amid some ruins, finding a doorway standing oddly at the center of an abandoned onsen. In what seems like a moment from “Alice in Wonderland,” Suzume removes the Keystone — which transforms into a tiny white cat and scampers away — and opens the door to reveal a star-filled parallel dimension. But instead of passing through it, she inadvertently unleashes a Worm. As a plot device, there’s nothing wrong with these Worms, which burst forth from portals in different towns, forcing Suzume and Souta to trace their path along the eastern coast. The pair must shut each door before these radioactive indigo Worms can topple to the ground and cause a cataclysmic earthquake. That’s especially challenging for Souta, who’s magically transformed into a three-legged children’s chair — a whimsical notion for a sidekick that proves surprisingly effective. By contrast, it was a mistake to
render the monstrous, undeniably phallic Worms via computer animation, as they look more lame than menacing. Still, the threat is real, anthropomorphizing any number of actual natural disasters that have hammered Japan in recent years. (The country is situated at a kind of seismic epicenter, resulting in roughly 1,500 earthquakes annually!) What’s so smart about Shinkai’s script is the way it integrates the anxiety locals feel about such tremors with an appreciation of the country’s disappearing heritage, as represented in the sites where Suzume finds the portals: a shuttered middle school, a dilapidated amusement park and so on. To find the strength to close each door, Suzume must imagine the people who existed there before.
