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[61] In Australia and New Zealand, the series was simulcast on AnimeLab,[62] and in Southeast Asia on Aniplus Asia. MVM Entertainment acquired the series for distribution in the UK and Ireland. [63] An anime film adaptation, titled Rascal Does Not Dream of a Dreaming Girl (青春ブタ野郎はゆめみる少女の夢を見ない, Seishun Buta Yarō wa Yumemiru Shōjo no Yume o Minai), premiered on June 15, 2019. [64] The film adapts the series' sixth and seventh volumes. [65] The staff and cast reprised their roles from the anime. [66] During the Aniplex Online Fest event in September 2022, it was announced that a sequel adapting the eighth and ninth light novel volumes has been greenlit. [67] It was later revealed to be two films; Rascal Does Not Dream of a Sister Venturing Out, the first film which adapts volume eight and was released theatrically in Japan on June 23, 2023,[68] and Rascal Does Not Dream of a Knapsack Kid, the second film adapting volume nine, which premiered on December 1, 2023. [69] The films feature the main staff and cast of the previous anime adaptation. Both films will be released in U. S. theaters by Aniplex of America, in association with Fathom Events; the English-subtitled screening for the films is set to premiere on March 24, 2024, and an English dub screening is set to premiere the following day.

Araki focused on Roots for its family-centric story,[7] and he took the idea of intertwined destiny and rivalry between two families from East of Eden. He thought highly of stories that were well-received after changing protagonists, which influenced Araki's decision to kill Jonathan Joestar and write a generational story, passing on his "Spirit" to his own descendants. [8] The characters had no models, except Jotaro Kujo, who was based on Clint Eastwood. Araki stated that he wanted to try a different type of main character for every part; for example, Part 1's Jonathan Joestar was a serious and honest person, whereas Part 2's Joseph Joestar was a trickster. [9] Although their personalities are different, the two share a physical resemblance in order to have some continuity because it was unheard of in the 1980s for a main character to die in a Weekly Shōnen Jump series. [10] Araki's consistent focus on the Joestar family was intended to give a feeling of pride as well as the wonder and mystery surrounding the lineage.

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"Dead Spirit World"), the afterlife realm from which she originates and with fighting Hollows. When she is severely wounded defending Ichigo from a Hollow she pursues, Rukia transfers her powers to Ichigo, so he may fight in her stead while she recovers. Rukia is thereby trapped in an ordinary human body, and must advise Ichigo as he balances the demands of his substitute Soul Reaper duties and attending high school. For aid in hunting the Hollows, the pair ally with a trio of other spiritually empowered allies: Ichigo's high school classmate Orihime Inoue, best friend Yasutora "Chad" Sado and Uryū Ishida, a Quincy classmate with the ability to control spiritual particles. Eventually, Rukia is arrested by her Soul Reaper superiors and sentenced to death for the illegal act of transferring her powers to a human. Ichigo and his friends enlist the help of ex-Soul Reaper scientist Kisuke Urahara, who trains Ichigo to access his own Soul Reaper powers, to enter the Soul Society and rescue Rukia. Shortly after the party's arrival in the Soul Society, conflict arises among the captains of the Thirteen Court Squads when the captain of the fifth company, Sōsuke Aizen, is apparently murdered; the captains believed that the intruders might have been responsible, which causes the Soul Reapers to begin fighting amongst themselves. Thereafter, the Captain Commander Genryusai Shigekuni Yamamoto, issues the Soul Reapers to arrest Ichigo and his friends as suspects. However, Ichigo saves Rukia and manages to stop the war against the Soul Society. Aizen reappears and reveals his intention to obtain the Hōgyoku (崩玉, lit. "Crumbling Orb"), an orb of immense power Kisuke planted inside Rukia, by faking his death and arranging the execution. Batman: Gotham Knight Batman Death Mask Batman Child Of Dreams Batman: Black and White: "The Third Mask". Ape Entertainment's Scarlet Veronica deliberately attempts to blur the line between western comic art and manga art. Typically resembling Thick-Line Animation, characters facefault, sweatdrop, and go chibi as the situation requires. Becky Cloonan's work in Demo draws primarily from older indie comics, but steps into anime territory for at least two issues — issue #3 ("Emmy") and issue #10 ("Damaged") both seem heavily manga-influenced. By the second series she seems to have grown fond of the style. Chynna Clugston Flores's Blue Monday. The cover of the first volume even has the lead lounging in a giant bowl of ramen! Vampirella: There was a sci-fi re-imagining called "Vampi" that was done in a heavy anime style. Welcome to Tranquility features an Art Shift to this style in the back-up that gives the skinny on background character Mangacide an extreme Occidental Otaku. Ame-Comi Girls is a series based off the popular Anime-inspired toyline. The series stars Manga-styled redesigns of characters such as Wonder Woman and Batgirl. UDON Entertainment, best known for Street Fighter and official art for most Capcom projects since 2005.