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^ Na, Geum-joo (February 28, 2020). "'이태원 클라쓰' 박서준·김혜은, 유재명 미행 사실 알았다". Xports News (in Korean). Retrieved February 29, 2020. ^ Kim, Na-kyung (February 23, 2020). "'이태원클라스' 김미경, 일수 명함 휘날리며 강렬한 첫 등장".

Archived from the original on April 7, 2022. Retrieved August 15, 2018. ^ Wolf, Ian (November 27, 2019). "Crunchyroll Names The Top 100 Anime of the 2010s". Anime UK News. Archived from the original on November 27, 2019. Retrieved November 27, 2019. ^ "The Best Anime of the Decade (2010 - 2019)". IGN. January 1, 2020. Archived from the original on January 1, 2020.

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Reception[edit] The film was modestly successful at the Japanese box office,[46] where it grossed ¥1. 7 billion. [2] As part of the Studio Ghibli Fest 2018, the film had a limited theatrical release in the United States, grossing $516,962. [3] The Ghibli ga Ippai Collection home video release of Grave of the Fireflies sold 400,000 copies in Japan. [47] At a price of at least ¥4,935,[48] this is equivalent to at least ¥1. 974 billion in sales revenue. The film received universal critical acclaim. Roger Ebert of the Chicago Sun-Times considered it to be one of the best and most powerful war films and, in 2000, included it on his list of great films. [37] The film review aggregator website Rotten Tomatoes reported a 100% approval rating based on 43 reviews with an average rating of 9. 30/10. The website's critical consensus reads: "An achingly sad anti-war film, Grave of the Fireflies is one of Studio Ghibli's most profoundly beautiful, haunting works. In addition, the game mechanics such as spells, weaponry, magical items, and potion making really brings out its fantasy realm to life. There’s some good amount of action as well although fairly predictable with Momonga’s newfound skills. In addition, the story also makes it clear that he isn’t the only character that matters. Others he encounters and associates with such as the Sword of Darkness and his own battle maids get their additional spotlight too. The story also introduces antagonists with their own independent malevolent intentions. It shouldn’t take too long for viewers to realize that Overlord isn’t just Momonga’s personal show.
But for all its creativity, the series suffers much from the over emphasis of Momonga. It focuses far too much on his character while adding the ridiculousness of his servants’ love for him. The first two episodes will likely be a make or break for most viewers as the feeling of an MMORPG game feels isolated. There’s also die-hard comedy with character rivalries, expressions, and overall tone of their generalization. I will say the show has a diverse cast of the characters though.