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R. Mitsuaki Madono Thierry Kazazian Propriétaire du Gerald Katsuhito Nomura Emmanuel Rausenberger Narrateur Kazuya Nakai Alain Eloy Roronoa Zoro Doublage francophone[2] Studio d'enregistrement: Time-Line Factory Direction artistique: Bruno Méyère Adaptation: Anthony Panetto Notes[] Le sous-titre "L'Enfer du Dragon Volant aux 103 Passions", est dérivé de l'attaque finale de Zoro contre King. L'affiche promotionnelle présente une coloration verte sur le mot "Ryu" (qui veut dire "dragon"). Il s'agit de la deuxième production d'anime liée à One Piece à ne pas être produite par la Toei Animation, après One Piece : À bas Gyanzack ! en 1998. Référence[] ↑ https://animationdigitalnetwork. fr/video/monsters/23812-oav ↑ https://animationdigitalnetwork.It means either that person wants to be treated casually, or it’s a sign that a friendship is becoming closer. In peer situations—like between two kids who are good friends—the use of san can come off as reverential, but that’s not usually the case. Kun Kun is one of the gender-associated honorifics. It’s much more casual than san and is typically used for young or teenage boys—”Shinji-kun!” or “Kawaoru-kun!,” for example. However, you can use kun for a girl you’re very close to. Actually, kun is a good choice in general for people who are close to you. I (half-jokingly) refer to my partner with “kun” when talking to Japanese friends and associates. It’s also a good choice for people (men, in particular) of lower or equal status to you at work or school. In romance anime, in particular, you can be very clued into social subtext by keeping track of a character’s progression from san to kun to no honorifics at all. Again, the choice of honorifics tells you a lot about how one character feels about another. In One Piece, Nami always refers to Sanji as “Sanji-kun,” even though Sanji is technically one year older than her.
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