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[57] Brutus magazine listed Heavenly Delusion on their "Most Dangerous Manga" list, which included works with the most "stimulating" and thought-provoking themes. [58] Vinland Saga's author Makoto Yukimura expressed interest in the themes of Heavenly Delusion due to the idea of a heaven as well as how Ishiguro tells two stories at the same time that are connected as the narrative continues. [59] Anime[edit] The first episode earned a positive response by Anime News Network due to the dystopian premise and amount of character, while being compared to Blame!, and the animation produced for both human and monster designs. [60] They noticed that the series appears to heavily focus on the gender, not on Kiruko's "experience of trans men, but rather as means of interrogating and playing with rigid gender constructs in a more generalized sense. Gender affects all of us, across the entire spectrum of identity and presentation, so thinking about gender critically and flexibly is an important thing to do. " They further praised the relationship between Maru and Kiruko for how caring they are with one another and noted that the flashback's incestuous "angle might just be sensationalism for the sake of it, but I don't mind that extra splash of taboo when the full picture is this interesting. "[61] Anime Feminist enjoyed the handling of the animation as well as the dynamic between the two leads with Maru looking suspiciously similar to another person featured in the parallel story. Nevertheless, they mentioned the amount of gender violence when people try to attack Maru and Kiruko. [62] With the eventual revelation that Kiruko is a young man who had his brain transplanted to his sister's body, the website was optimistic about the handling of the main duo; for Maru still coming across as likable when confessing his feelings to Kiruko and not sounding homophobic in response to the twist. They were troubled by the repercussions this twist has in regards to Kiruko's feelings, however, as her early scenes from the first episode now made her look incestuous. [63] Comic Book Resources also noted the series gender norms due to how "complex" they found Maru and Kiruko's relationship as Maru still seems to retain his affection towards Kiruko despite knowing she is actually male while Kiruko was compared to a transgender character who is trying to accept the idea of having a female body.[31] It began streaming on Netflix on June 25, 2018, in Japan, and started streaming on December 18, 2018, outside Japan. [32][33][34] The series then started airing on several Japanese television channels beginning with Tokyo MX1 on July 1. [35] Its opening theme song is "Beastful" by Granrodeo and its ending theme "Resolve" is performed by Azusa Tadokoro with lyrics by Miho Karasawa. [36] Sentai Filmworks released it on Blu-ray on May 25, 2021, with a new English dub. [37] Netflix renewed the series for a second season on March 19, 2019. [38] On March 5, 2020, it was announced that the main staff TMS Entertainment would be returning to produce the second season with the addition of a new character designer and art director.
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