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[Jp 14] Premise Further information: List of One Piece chapters The series focuses on Monkey D. Luffy—a young man made of rubber after unintentionally eating a Devil Fruit—who sets off on a journey from the East Blue Sea to find the deceased King of the Pirates Gol D. Roger's ultimate treasure known as the "One Piece", and take over his prior title. In an
effort to organize his own crew, the Straw Hat Pirates,[Jp 15] Luffy rescues and befriends a pirate hunter and swordsman named Roronoa Zoro, and they head off in search of the titular treasure. They are joined in their journey by Nami, a money-obsessed thief and navigator; Usopp, a sniper and compulsive liar; and Sanji, an amorous but chivalrous cook. They acquire a ship, the Going Merry[Jp 16]—later replaced by the Thousand Sunny[Jp 17]—and engage in confrontations with notorious pirates. As Luffy and his crew set out on their adventures, others join the crew later in the series, including Tony Tony Chopper, an anthropomorphized reindeer doctor; Nico Robin, an archaeologist and former Baroque
Works assassin; Franky, a cyborg shipwright; Brook, a skeleton musician and swordsman; and Jimbei, a whale shark-type fish-man and former member of the Seven Warlords of the Sea who becomes their helmsman. Together, they encounter other pirates, bounty hunters, criminal organizations, revolutionaries, secret agents, different types of scientists, soldiers of the morally-ambiguous World Government, and various other friends and foes, as they sail the seas in pursuit of their dreams. Production Concept and creation Eiichiro Oda's interest in pirates began in his childhood, watching the animated series Vicky the Viking, which inspired him to want to draw a manga series about pirates. [2] The reading of pirate biographies influenced Oda to incorporate the characteristics of real-life pirates into many of the characters in One Piece; for example, the character Marshall D. Teach is based on and named after the historical pirate Edward "Blackbeard" Teach.
"The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [11] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [147] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [12][13] 2011 Series Madhouse's 2011 adaptation has been met with near-universal critical acclaim. Adrian Marcano from Inverse considered Hunter × Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc. "[148] According to Movie News Guide and Latin Post, the Madhouse's 2011 version received more viewers not only in Japan but also around the world, particularly in North America. [149][150] Digital Fox Media's Michael Basile of Fox Sports Digital Media praised the animation quality of the new adaptation, "the animation actually appears to get better and better as the series progresses.
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