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Retrieved February 13, 2021. ^ Hodgkins, Crystalyn (July 18, 2021). "Promised Neverland Creators, My Hero Academia Each Get 1-Shot in Shonen Jump".
Anime News Network. Archived
from the original on May 27, 2022. Retrieved August 11, 2021. ^ ベルセルク:最新364話掲載 今後は「今は未定」 「三浦先生だったらどう思うか」を第一に. Mantan Web (in Japanese). September 10, 2021. Archived from the original on September 9, 2021. Retrieved September 9, 2021.
[6] Isao Takahata said that he was compelled to film the short story after seeing how the main character, Seita, "was a unique wartime ninth grader". [7] Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking", and that young people develop an "inferiority complex" where they perceive people in wartime eras as
being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset. [6] When Nosaka asked if the film characters were "having fun", Takahata answered that he clearly depicted Seita and Setsuko had "substantial" days and that they were "enjoying their days". [8] Takahata said that Setsuko was even more difficult to animate than Seita, and that he had never before depicted a girl younger than five. [6] Takahata said that "In that respect, when you make the book into a movie, Setsuko becomes a tangible person", and that four-year-olds often become more assertive and self-centered, and try to get their own ways during that age. He explained that while one could "have a scene where Seita can't stand that anymore", it is "difficult to incorporate into a story". [9] Takahata explained that the film is from Seita's point of view, "and even objective passages are filtered through his feelings". [8] Takahata said that he had considered using non-traditional
animation methods, but because "the schedule was planned and the movie's release date set, and the staff assembled, it was apparent there was no room for such a trial-and-error approach". [8] He further remarked that he had difficulty animating the scenery since, in Japanese animation, one is "not allowed" to depict Japan in a realistic manner. [6] Animators often traveled to foreign countries to do research on how to depict them, but such research had not been done before for a Japanese setting.
Part 6: Stone Ocean (ストーンオーシャン, Sutōn Ōshan) Volumes 64–80, 158 chapters. In 2011, near Port St. Lucie, Florida, Jotaro Kujo's daughter Jolyne Cujoh is framed for murder and sent to prison. She works together with various allies, including a child born in prison named Emporio Alniño, to hunt down the person responsible for her framing: prison
chaplain Enrico Pucci, a loyalist to Dio who seeks the creation of a new universe shaped to the late vampire's will. Part 7: Steel Ball Run (スティール・ボール・ラン, Sutīru
Bōru Ran) Volumes 81–104, 95 chapters. In the 1890 of an alternate universe, United States President Funny Valentine holds a cross-country horse race with a $50 million reward for the winner.
