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When she attended high school, her dedicated guardian and loyal family servant, Keiya Utô, also attended and vowed to protect her. Isaku Senagaki was raised by her gangster grandfather after her parents died in a car accident. When she attended high school, her dedicated guardian and loyal family servant, Keiya Utô, also attended and vowed to protect her. StarsAkari KitôYûichirô UmeharaJunya EnokiSee production info at IMDbProIMDb RATING5. 4/10278YOUR RATINGRateTop creditsStarsAkari KitôYûichirô UmeharaJunya Enoki4User reviews2Critic reviewsSee production info at IMDbProSee production info at IMDbProEpisodes13Browse episodesTopTop-rated1 Season2023Photos139Top castEditAkari KitôIsaku Senagaki13 eps • 202313 episodes • 2023Yûichirô UmeharaKeiya Utô13 eps • 202313 episodes • 2023Junya EnokiMikio Tanuki3 eps • 20233 episodes • 2023Mai NakaharaKaori Sekiya2 eps • 20232 episodes • 2023All cast & crewProduction, box office & more at IMDbProMore like this6. 1撿走被人悔婚的千金,教會她壞壞的幸福生活6. 5位於戀愛光譜極端的我們7. 7Atarashii Joushi wa Do Tennen7. 0Kamonohashi Ron no Kindan Suiri6. 1某大叔的VRMMO活動記7. 0銀砂糖師與黑妖精~sugar apple fairy tale~6.

5D movement via Live2D technology, and their conversations are depicted in a visual novel-style presentation that is prepared for each group, including the Virtual Singers such as Miku. Further dialogues are added over time through events. EXP also improves a unit's rank, which unlocks additional chapters in group stories. Cards, which use a star ranking system to determine rarity (four stars being the rarest), are acquired via the gacha system, a luck-based mechanic in which players spend the in-game currency Crystals with the hope of winning their desired cards. Although Project SEKAI is a free-to-play game, players can spend real-life money to acquire in game currency. The game also features Virtual Lives, a mode where players can go to a virtual concert, similar to augmented reality or a Vocaloid live concert, where players can interact with one another. They can see other players all around the world and their favorite group performing via 3D animation. The game initially launched with 28 songs, with around four new songs added per month to the game; as of December 2021, a total of 146 songs are included. The tracklist mainly consists of Vocaloid songs or those from Vocaloid producers, with most songs having two versions: the original version (or new versions specifically made for the game; named "Virtual Singer version" in-game), and SEKAI versions, having the song covered by the original characters, and sometimes joined by a Virtual Singer. Some songs also have a 3D MV or animated MV, with animated MVs either being newly created for the game (named "2D MV" in-game) or original. Songs without an MV are played with a static 2D background.

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[154] The series are credited as beginning a wider movement of girls taking up shōjo manga. [135][155] Canadian librarian Gilles Poitras defines a generation of anime fans as those who were introduced to anime by Sailor Moon in the 1990s, saying they were both much younger than other fans and were also mostly female. [152] Historian Fred Patten credits Takeuchi with popularizing the concept of a Super Sentai-like team of magical girls,[156][157] and Paul Gravett credits the series with revitalizing the magical girl genre itself. [158] A reviewer for THEM Anime Reviews also credited the anime series with changing the genre—its heroine must use her powers to fight evil, not simply have fun as previous magical girls had done. [159] The series has also been compared to Mighty Morphin Power Rangers,[12][160] Buffy the Vampire Slayer,[13]: 281 [161][162] and Sabrina the Teenage Witch. [163] Sailor Moon also influenced the development of Miraculous: Tales of Ladybug & Cat Noir, W. I. T. C. H. , Winx Club, LoliRock, Star vs. ^ "4Kids Announces One Piece". Anime News Network. June 8, 2004. Archived from the original on March 10, 2009. Retrieved June 8, 2004. [verification needed] ^ One Piece 4Kids dub, episodes 1-104 (1-143 uncut)[verification needed] ^ "Alfred R.
(1990). "Evidence for foot structure in Japanese". Language. Linguistic Society of America. 66 (1): 78–105. doi:10.