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"Japanese Animation TV Ranking, December 25–31". Anime News Network. Retrieved January 11, 2024. ^ Japanese TV animation weekly ratings in the Kantō region: Episode 29. 25: Pineda, Rafael Antonio (August 20, 2023). "Japanese Animation TV Ranking, August 7–13". Anime News Network. Retrieved August 21, 2023. ^ "「呪術廻戦 懐玉・玉折 1」". jujutsukaisen. jp (in Japanese).

2022 Chapter 115 11. 11. 2022 Chapter 114 02. 11. 2022 Chapter 113 02. 11. 2020 Chapter 81 31. 10. 2020 Chapter 80 23. 10. 2020 Chapter 79 21.

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Twelve years later, Aqua and Ruby have become high school students and have been adopted by Ichigo and Miyako Saito, the owners of Ai's talent agency, Strawberry Productions. Ruby dreams of becoming an idol singer herself and becomes employed by their family's agency. She forms an idol group with actress Kana Arima and YouTuber Mem-cho, named "B-Komachi" after Ai's former group, while Aqua returns to acting. Both Aqua and Ruby begin building their careers in entertainment, with Aqua using his newfound friendship with actress Akane Kurokawa as a means to locate his father. During a stage production, Aqua discovers that he shares the same father with his co-star, Taiki Himekawa, and that he had died by suicide before Ai's murder. However, Aqua learns through Akane that their father may be actor Hikaru Kamiki, who is still alive. At the same time, during shooting for B-Komachi's music video, Ruby finds Gorou's corpse and learns about the culprit behind his and Ai's murders. Both incidents fuel Aqua and Ruby's grudges respectively and motivate them to find their father. However, as they both become increasingly manipulative, Aqua and Ruby find each other at odds throughout their attempts to reach their father, eventually losing trust in each other after Aqua leaks their connection to Ai to the media. With the help of Gotanda, Aqua creates a screenplay for an autobiographical film based on Ai, titled 15 Years of Lies, in hopes of drawing Hikaru's attention. Ruby aggressively and successfully lands the starring role. A typical episode follows one or both of the leads as they are placed in a scenario in which they must either outperform an opponent established to have exceptional skills in a particular field of cooking or meet the standards of a seemingly unpleasable judge, usually illustrated by a succession of nameless extras presenting their own unsatisfactory meals. Whenever a named character's dish is being eaten, the eater will, without fail, squeal and convulse in nigh-orgasmic delight, then describe the taste and cooking technique with purple prose so thick as to make Lovecraft blush, accompanied by some kind of illustrated simile. This style of presentation may appeal to the technically minded, but grows tiresome and repetitive over the course of the season's 24 episodes. It's hard to be impressed with the main characters' skills when just about every dish is treated like Manna from Heaven and one can expect to hear terms like "umami" and "depth of flavour" thrown around ad nauseum. For this reason, Food Wars works best when the leads are forced to come up with creative solutions, focusing shifting the focus away from sensory spectacle and more on to problem solving.
As a story, Food Wars walks a well-trodden path, focusing first and foremost on Soma's ambition to reach the highest echelons of Tōtsuki Academy and surpass his father in terms of culinary skill.