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^ a b "JoJo's Bizarre Adventure: Part 2 GN 1 - Review". Anime News Network. November 4, 2015. Archived from the original on December 7, 2020. Retrieved September 13, 2020. ^ "脚本家 虚淵玄さんインタビュー ウルトラジャンプ本誌『ULTRA NEXT』増補版" [Interview with scriptwriter Gen Urobuchi - Ultra Jump 'Ultra Next' extended version] (in Japanese).

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Archived from the original on 4 June 2020. Retrieved 21 May 2020. ^ Spencer (20 August 2012). "Danganronpa Brings Murder Mystery And Word Battles To iOS". Siliconera. Archived from the original on 27 August 2012. Retrieved 15 December 2012. ^ "モノクマの逆襲 for ダンガンロンパ|人気ゲーム「ダンガンロンパ」のミニゲーム集!スマフォアプリ版が待ち遠しくなる!|アプリゲット". Appget. com. 3 May 2012. Every episode is endless wallpaper fuel, filled to the brim with cool, memorable shots, beautiful backgrounds, and excellent music which compliments the ambiance perfectly. I repeat, the messages delivered by each episode are pretty obvious and a little on the nose, but if I’m going to concede a single point to the people who are calling this show confusing, it’ll be this: what makes Sonny Boy a bit more difficult to watch than your average anime is how little is spelled out. We’re treated to so many short moments, gestures, and facial expressions which all tell a little story in and of themselves, and they exhibit character development in a nuanced manner any other show would devote five minutes to explaining with overwrought, melodramatic dialogue. But this is something I really liked about it. The show doesn't spoon-feed you, and it rewards you for paying attention and treating its characters like people. It’s not “high-IQ. ” It’s just dense visual storytelling. Very few times in my life have I had the privilege to witness a series which pushes all my buttons so well and in so many ways, and even if you don’t share my exact aesthetic preferences, I promise you'll agree when I say Sonny Boy is an audiovisual masterclass.
What depth it lacks in the theme department, it more than makes up for in the character department, and not simply because they brought Hisashi Eguchi back from the grave. Natsume stated in an interview, “Sonny Boy is a simple story about a boy growing up and people drifting apart,” and the only reason he imagined it with such an abstract presentation was simply because “life can be absurd and inexplainable sometimes, and you find yourself asking ‘Why?’ a lot. ” To me, this is very obvious.