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Road to 2002[edit] While Tsubasa moves from São Paulo (Brancos in the anime) to Barcelona[3] (Catalunya in the anime), Kojiro Hyuga is bought by Juventus F. C. (F. C. Piemonte in the anime). Tsubasa plays very well in training, displaying all his skills, but the Dutch coach Van Saal (Edward in the anime, inspired by Louis van Gaal, who coached Barcelona at the time) demotes him to FC Barcelona B,[3] the reserve team that plays in the
second division, because Tsubasa and Rivaul (inspired by Rivaldo) cannot play together whilst Rivaul holds a key position for playmaking. [2] Meanwhile, Kojiro Hyuga plays for his first game for Juventus (Piemonte in the anime) against Parma in the Italian Serie A, but does not score because his
physical imbalance is exposed by Parma defender Thoram (inspired by Lilian Thuram). Juventus coach Carlo Monetti replaces him with David Trezeguet (David Tresaga in the anime), who scores the winning goal as Juventus beat Parma 1–0. In Germany, Genzo Wakabayashi[4] and his
Bundesliga team, Hamburger SV (Grunwald in the anime version), play against FC Bayern Munich (Routburg in the anime version), led by Karl Heinz Schneider. Wakabayashi makes many great saves, impressing players and coaches from both teams, but in an attempt to win at the final moment despite the coach's decision to aim for a draw, Wakabayashi left the goal area to take a free kick shot that was stopped at the last second, which gave Bayern a chance to counterattack on an undefended goal, allowing them to win 2–1. In Spain, the Liga begins and the match between Barcelona (led by Rivaul) and Valencia CF (San Jose in the anime) (who have just bought Tsubasa's old rival Carlos Santana) ends 2–2.
^ Mays, Jonathan (January 28, 2013). "Evangelion, Nadesico, Dai-Guard, Robotech to Air on Cartoon Network". Anime News Network.
Archived from the original on March 25, 2022. Retrieved
November 5, 2023. ^ Macdonald, Christopher (January 30, 2005).
They’re just stock character templates with voice actors and actresses transforming them into cardboard
cutouts that just happen to have the ability to speak.
Actually, wrong metaphor there, because cardboard cutouts wouldn’t be off-model nearly as much as these fucking people, and by “people,” I mean crimes against art, and by “art,” I mean shit, and by “shit,” I mean this fucking show. Hopefully you weren’t expecting this show to be well-produced or technically competent, because it isn’t. You’ll probably get used to the hideousness of the visuals just by virtue of how easily your eyes will
glaze over, but they still occasionally devolve from unengaging to completely and totally embarrassing, perhaps just to be honest and remind you of the fact you’re watching trash. Every instance of visual flair comes from zooming in on someone's face while they give their biggest, baddest edgelord smile, then applying some digital effect. The incongruity between the staleness of the show and the ridiculously overblown edginess makes for some great laughs, honestly.
