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And I know for a fact that it wasn't just me that felt this way, because it has truly become one of the most popular anime in Japan.
I honestly cannot predict how enjoyable this show will be outside of the special environment that existed while it was airing. Thousands of fans, albeit mostly Japanese (luckily, I understand Japanese!), came together week after week to theorize and enjoy the wonderful world of Japari Park. You might not be able to get over the art or voice acting and that's fair. But watching Kemono Friends is the most special experiences I have ever had in my life-long anime career. I don't know if anything will ever be able to replicate this feeling, but I hope that future creators take notes from Kemono Friends.

Japan: Shueisha. ^ Oda, Eiichiro (2001). "71 万物の霊長". 死なねェよ. One Piece (in Japanese). Vol.

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^ "Top Manga Ranked by Kono Manga ga Sugoi 2013 Voters". Anime News Network. Archived from the original on March 20, 2013. Retrieved December 10, 2012. ^ "Jojolion Manga Wins Media Arts Award". Anime News Network. Archived from the original on July 9, 2021. Retrieved July 9, 2021. ^ "Demon Slayer: Kimetsu no Yaiba--Stories of Water and Flame". Viz Media. Archived from the original on November 29, 2021. "Seven Seas Licenses Classroom of the Elite, My Next Life as a Villainess Side Story Manga". Anime News Network. Retrieved September 24, 2021. ^ ようこそ実力至上主義の教室へ 1. Media Factory. 23 September 2016. Retrieved September 24, 2021. ^ "Classroom of the Elite (Manga) Vol. 2". Seven Seas Entertainment. Retrieved December 14, 2021.
If you know, Tetsujin 28-go then this is the same overall plot. "[15] With Akira, Otomo also wanted to depict the later Showa period, including preparations for the Olympics, the rapid economic growth, and the student protests of the 1960s. "I wanted to recreate the assorted elements that built this era and craft an exciting story that would seem believable enough in reality. "[14] Otomo said that while there had been post-apocalyptic works before, he could not think of one that depicted an apocalypse in the middle of the story and wanted to do that with Akira. [17] Mark Schilling reported that Otomo has also cited influence from the 1977 live-action film Star Wars on his series. [18] Development[edit] With Akira, Otomo wanted to "dig deeper into [his] issues" with speed and flow, telling a story with as few words as possible, "edit it to gain that sense of speed and make people read it faster, and at the same time make them stop cold at the important scenes.