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The duo continue their journey to Heaven until they are welcome by a family of farmers from the Kusanabe Plantation. As they rest, Maru tells Kiruko he likes her but the latter claims she is actually a man with a female body. 2 March 22, 2019[29]978-4-06-514744-3September 25, 2021[30]978-1-63442-944-3 "Kiriko Takehaya" (竹早桐子, Takehaya Kiriko)"Haruki Takehaya" (竹早春希, Takehaya Haruki)"Kuku 1" (クク1, Kuku 1)"Kuku 2" (クク 2, Kuku 2)"Mina" (ミーナ)"Tarao 1" (タラオ1, Tarao 1) Kiriko Takehaya was a famous racer who lived with her brother, the rebellious Haruki, and a group of orphans assisted by Robin Inazaki. During the attack of a Hiruko, Haruki suffered severe wounds, losing all his limbs. His brain was then transplanted into Kiriko's body. Now known as Kiruko, she started searching for her missing friends. After telling Maru this, the duo finds themselves attacked by a fish-like Hiruko. With Kiruko out of firepower, she and Maru are chased by the monster until it is altered by the marijuana hidden inside, leaving Maru to perform the finishing move on the creature. Meanwhile at the school, Tokio sees a group of faceless babies. Shortly after that, a fellow student named Tarao suffers a disease and tries to kiss Tokio. After leaving the ship, Maru and Kiruko continue their journey on foot where the former gets into a fight with delinquents.

Anime News Network. Archived from the original on April 1, 2020. Retrieved May 19, 2020. ^ "Bleach, Vol. 1 (DVD)". Viz Media. Archived from the original on January 27, 2021. Retrieved January 23, 2021. ^ Cayanan, Joanna (October 29, 2023). "Dr. Stone Manga Gets 3-Chapter Spinoff Set After Main Manga's Finale".

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[8][33] Additional characters were created by Hideto Komori. [5] Weapon designs were co-created by Mahiro Maeda and Manglobe managing director Hidero Okamoto. [5][33] The cinematographer was Kazuhiro Yamada, with Syuichi Kakesu as lead editor. [33] Numerous guest creators were also brought in for different episodes as artists or animation directors, including Shūkō Murase Takeshi Yoshimoto, Naoko Nakamoto, Hiroyuki Imaishi and Tensai Okamura. [36] Concept and development[edit] The concept for Samurai Champloo was created by Watanabe in 1999, then known for his work on Cowboy Bebop. He wanted to create a series antithetical to the largely calm and mature atmosphere of Cowboy Bebop, wanting a complete change due to fatigue after working on one project for such a long period. [18][5] The success of Cowboy Bebop meant he was permitted to develop whatever he wanted for his next project. [37] As with his other projects, he drew inspiration from music, then matched a narrative to it. [38] His approach was combining two of his favorite things, classic samurai adventure films and series and hip hop music, into a single work. [12] He created the concept for Samurai Champloo during this period, but work on it was delayed due to his work on Cowboy Bebop: The Movie and his segments of The Animatrix at Studio 4°C. [5][8] Kobayashi had invited Wanatabe to work on an original project at Manglobe when it was founded in February 2002, and Watanabe sent the Samurai Champloo pitch in May of that year. ↑ a b c d et e Voir le rapport sur le site Allociné. ↑ Antoine Bourguilleau, « Tout ce que l'on ne voit pas dans Le tombeau des lucioles », sur Slate, 8 mai 2018 (consulté le 8 mai 2018). Annexes[modifier | modifier le code] Sur les autres projets Wikimedia : Le Tombeau des lucioles, sur Wikimedia CommonsLe Tombeau des lucioles, sur Wikiquote Bibliographie[modifier | modifier le code] Xavier Kawa-Topor et Ilan Nguyen, Le Tombeau des Lucioles d'Isao Takahata, édition CNC, coll. « Dossier collège et cinéma » (no 149), 2005 Gilles Ciment (entretien avec Isao Takahata sur Le Tombeau des lucioles), « L'animation et le réel », Positif, nos 425-426,‎ juillet-août 1996 (lire en ligne) Articles connexes[modifier | modifier le code] Évacuations des civils au Japon pendant la Seconde Guerre mondiale Studio Ghibli Liens externes[modifier | modifier le code] Site officiel Ressources relatives à l'audiovisuel : AllMovie Allociné Centre national du cinéma et de l'image animée Ciné-Ressources Cinémathèque québécoise Filmweb. pl IMDb LUMIERE Movie Review Query Engine OFDb Rotten Tomatoes The Movie Database Ressource relative à plusieurs domaines : Metacritic Notices d'autorité : VIAF Catalogne (en) Le Tombeau des lucioles (anime) sur Anime News Network Le Tombeau des lucioles sur Buta-Connection. net v · mStudio Ghibli Époque pré-Ghibli Topcraft Horus, prince du Soleil (1968) Panda Petit Panda (1972) Panda Petit Panda : Le Cirque sous la pluie (1973) Le Château de Cagliostro (1979) Kié la petite peste (1981) Goshu le violoncelliste (1982) Nausicaä de la Vallée du Vent (1984) Longs métrages Le Château dans le ciel (1986) L'Histoire des canaux de Yanagawa (TV, 1987) Mon voisin Totoro (1988) Le Tombeau des lucioles (1988) Kiki la petite sorcière (1989) Souvenirs goutte à goutte (1991) Porco Rosso (1992) Je peux entendre l’océan (TV, 1993) Pompoko (1994) Si tu tends l’oreille (1995) Princesse Mononoké (1997) Mes voisins les Yamada (1999) Le Voyage de Chihiro (2001) Le Royaume des chats (2002) Le Château ambulant (2004) Les Contes de Terremer (2006) Ponyo sur la falaise (2008) Arrietty : Le Petit Monde des Chapardeurs (2010) La Colline aux coquelicots (2011) Le vent se lève (2013) Le Conte de la princesse Kaguya (2013) Souvenirs de Marnie (2014) La Tortue rouge (co-production, 2016) Aya et la Sorcière (co-production, TV, 2020) Le Garçon et le Héron (2023) Courts métrages Sora iro no tane (en) (1992) Nandarō (en) (1992) On Your Mark (1995) Ghiblies (2000) La Chasse à la baleine (2001) La Grande Excursion de Koro (2002) Ghiblies Episode 2 (2002) Mei to Konekobasu (2002) Kūsō no sora tobu kikaitachi (2002) À la recherche d'une maison (2006) Taneyamagahara no yoru (2006) Le Jour où j'ai cultivé une étoile (2006) Monomon l'araignée d'eau (2006) Iblard Jikan (2007) Les Souris sumo (2010) Pandane to tamago hime (2010) Takara Sagashi (2011) Giant God Warrior Appears in Tokyo (2012) Boro la petite chenille (2018) Personnel Fondateurs : Hayao Miyazaki Isao Takahata Principal producteur : Toshio Suzuki Principaux collaborateurs : Joe Hisaishi Yoshinori Kanada Katsuya Kondō Yoshifumi Kondō Kitarō Kōsaka Gorō Miyazaki Hiroyuki Morita Kazuo Oga Yasuo Ōtsuka Hiromasa Yonebayashi Tōru Hara Makiko Futaki Nizō Yamamoto Personnages Nausicaä Totoro Susuwatari Ashitaka San Autres Ni no kuni : La Vengeance de la sorcière céleste (co-développeur, 2010) Ronja, fille de brigand (co-production, 2014–2015) Mary et la Fleur de la sorcière (2017) Héros modestes (2018) Tomorrow's Leaves (2021) Musée Ghibli Parc Ghibli Ghibli Museum Library Box-office des films d'animation des studios Ghibli Studio Ponoc Portail du Studio Ghibli Portail du cinéma japonais Portail des années 1980 Portail de l'animation et de la bande dessinée asiatique Portail de la Seconde Guerre mondiale Portail du Studio Ghibli Ce document provient de « https://fr. wikipedia. org/w/index. php?title=Le_Tombeau_des_lucioles&oldid=211801335 ». Catégories : Film japonais sorti en 1988Film d'animation japonaisFilm dramatique japonaisFilm de guerre japonaisAdaptation d'une nouvelle japonaise au cinémaFilm réalisé par Isao TakahataLong métrage d'animation GhibliFilm à flash-backFilm à retournement finalFilm sur l'enfance marginaliséeFilm sur la familleFilm sur la mortFilm sur le deuilFilm sur la guerre du PacifiqueFilm se déroulant dans les années 1940Film se déroulant au JaponFilm se déroulant à KobeHistoire des enfants dans la guerreMort et enfanceCatégories cachées : Article contenant un lien mortArticle utilisant une InfoboxCatégorie Commons avec lien local identique sur WikidataPage utilisant P856Page utilisant P1562Page utilisant P1265Page utilisant P2755Page utilisant P3203Page utilisant P4276Page utilisant P5032Page utilisant P345Page utilisant P4282Page utilisant P8033Page utilisant P3138Page utilisant P1258Page utilisant P4947Page pointant vers des bases externesPage pointant vers des bases relatives à l'audiovisuelPage utilisant P1712Page pointant vers des bases relatives à plusieurs domainesArticle utilisant le modèle Dictionnaires inactifArticle de Wikipédia avec notice d'autoritéArticle contenant un appel à traduction en anglaisPortail:Cinéma japonais/Articles liésPortail:Cinéma/Articles liésPortail:Japon/Articles liésPortail:Asie/Articles liésPortail:Années 1980/Articles liésPortail:XXe siècle/Articles liésPortail:Époque contemporaine/Articles liésPortail:Histoire/Articles liésPortail:Animation et bande dessinée asiatiques/Articles liésPortail:Seconde Guerre mondiale/Articles liésPortail:Histoire militaire/Articles liésPortail:Studio Ghibli/Articles liésBon article en portugais La dernière modification de cette page a été faite le 24 janvier 2024 à 11:13. 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When he collapses halfway, Nagatoro torments him until he reaches the finish, where she continues to torment him during their cool-down stretches. Senpai needs a model for his latest drawing, and Nagatoro teasingly insists on modeling for him. Senpai agrees but claims he is recreating the cat-girl drawing, so Nagatoro will need to actually wear a cat-girl costume. Senpai later feels guilty about his lie but is shocked when Nagatoro stubbornly turns up in costume. Hearing familiar footsteps, Senpai surprises Nagatoro by insisting she hide. The art club president, whom Senpai is nervous of, arrives to see how Senpai has been managing the art club in her absence, but when she sees his drawings of cat-girl Nagatoro, she threatens to have the club shut down. Nagatoro furiously reveals herself to defend Senpai's dedication to art. To test this, the president demands Senpai run his own art exhibit at the cultural festival in competition with her own, and if the students vote for Senpai's exhibit as better than hers, she will leave the club alone. 1111"What Do You Think, Senpai?"
Transliteration: "Senpai wa Dō Omottensu ka?" (Japanese: センパイはどう思ってんスか?)Yūma SuzukiTaku KishimotoJune 20, 2021 (2021-06-20)"You Could Be More Honest, Senpai ♥"
Transliteration: "Sunao ja Nain da Karā, Senpai wā♡" (Japanese: 素直じゃないんだからー、センパイはー♡) Senpai is not confident as the president's previous exhibit was a nude painting of herself. Nagatoro is suspicious of Senpai keeping the painting but offers to model for him. Senpai refuses, claiming he isn't skilled enough to defeat the president.