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Production[edit] Urasawa revealed that he pitched the idea of writing a manga about the medical field around 1986, but could tell his editor was not enjoying the idea. So he jokingly proposed a story about women's judo, and that lead to his first solo work Yawara! (1986–1993). [3] The original idea for Monster came from the 1960s American television series The Fugitive, which had a strong impact on Urasawa when he saw it at the age of eight. In the story, a doctor is wrongfully convicted of murder, but escapes and searches for the real killer while on the run from the police. [3] He said that his editor was adamant that the series would not do well, and tried to stop him from creating it. [3] The Japanese medical industry was strongly influenced by the professional practices in Germany, thus it seemed natural to the author to set Monster in Germany.

^ "TAAF2019 アニメファン賞は『BANANA FISH』!". Tokyo Anime Award (in Japanese). February 15, 2019. Archived from the original on April 13, 2021. Retrieved February 17, 2021. ^ "Winners of the 2019 Anime Awards—Updated Live!". Crunchyroll. February 16, 2019. Archived from the original on August 22, 2021. Retrieved January 13, 2023. ^ Snow Man、上半期アーティストセールス1位を初獲得「ファンの皆様のおかげ」.

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(+) The art is not perfect, and in fact, can feel bland and drained of detail.
Examples include longboats, distant crowds, fortifications, armor, etc. They often lack eye candy and polish and the palette feels too “worn out”, despite the fact plain colors can draw the best qualities out of the historical genre.
Nonetheless, I include art in the positive aspect for two reasons. First of all, each person depicted has a different build, clothing and facial features, including freckles and scars. The second is the backgrounds. Whether an Icelandic settlement wracked by the elements, the town of York or a mountainous passage in Wales, there is a plethora of gorgeous landscapes that caught my eye.
[2. About the audio sector]
I won’t say much, despite valuing sound direction, voice acting and music a lot. I’m mostly content, though I would prefer a more medieval-sounding OST rather than one fitting for a stock shonen.
Characters from different peoples were supposed to be unable to communicate, but all lines are in Japanese. [269] The series was chosen as one of the Best Manga at the Comic-Con International Best & Worst Manga in 2018 and 2019. [270] Barnes & Noble named it on their list of "Our Favorite Manga of 2018", saying that "it combines the earnestness of superhero comics with the core elements of shonen manga", but also stated that the reason Horikoshi makes its story a delight is the "endlessly inventive imagination", praising most of the characters' abilities that are more "quirks" than superpowers. [271] Cold Cobra of Anime UK News picked the series for his list of "best manga of 2010s", praising its great mix between the Japanese shonen action genre and American superhero comics. He stated that its cast of characters is what makes it stand out more than anything. He described the artwork as "wonderfully expressive and occasionally impressively shaded for those big full-page moments", which makes it a joy to read. [272] Awards and nominations Year Award Category Result Ref. 2015 1st Next Manga Award Print Manga Won [273] 8th Manga Taishō Manga Taishō 8th place [274][275] Mandō Kobayashi Manga Award Manga Grand Prix Won [276] 2016 40th Kodansha Manga Award Best Shōnen Manga Nominated [277] Da Vinci 16th Annual Book of the Year Book of the Year 22nd place [181] 2017 Japan Expo Awards [fr] Daruma d'Or Manga Won [278][279] Best Shōnen Nominated 3rd Sugoi Japan Award Best Manga Won [280] 44th Angoulême International Comics Festival Best Youth Comic Nominated [281] 23rd Salón del Manga de Barcelona Best Shōnen Manga Won [282] 2018 Japan Expo Awards Best Shōnen [283][284] 30th Harvey Awards Best Manga Nominated [285] 24th Salón del Manga de Barcelona Best Shōnen Manga Won [286] Da Vinci 18th Annual Book of the Year Book of the Year 16th place [182] 2019 31st Harvey Awards Best Manga Won [287][288] 2020 47th Angoulême International Comics Festival Best Youth Comic Nominated [289] Anime Sales My Hero Academia sales have been high and the series has been successful in Japan since the release of the anime. The five volumes of the first season on Blu-ray and DVD were released in Japan, with each release appearing in Oricon's Animation Blu-ray and Animation DVD ranking. The first Blu-ray edition of My Hero Academia was ranked fifth in the first week of Oricon's Blu-ray ranking, while the first DVD edition ranked fourth with 2,184 copies sold. [290] The second Blu-ray and DVD sets also ranked, with the Blu-ray edition coming in sixth and DVD fifth for a week. [291] The third Blu-ray edition ranked fourth with 1,700 copies sold, while the DVD release was eighth with 1,184 copies sold.
[19] As with her original staff, these three weapons are also tri-sectional. Later, Usopp gives Nami an improved Sorcery Clima-Tact model she wanted him to make (which he had Franky help him a little bit). Using the knowledge he acquired over the time-skip with the plant-based Pop Greens, Usopp combined this with the Weatheria technology Nami provided him and designed the new Sorcery Clima-Tact to be smaller and more compact than the previous models. Instead, it uses the Pop Greens' growth abilities for the staff to extend and contract, through the use of squeezing or releasing the handle. [20] This improvement also allows Nami to now be able to directly attack with her staff from a distance. [21] Nami later teamed up with Big Mom's thundercloud-based accomplice Zeus,[22] eventually forcing him to become her servant,[23] and is currently part of her arsenal, now living inside her Clima-Tact. [24] Though Zeus' body was later destroyed by his former master,[25] his soul was able to survive and has now completely merged with the Clima-Tact, improving its capabilities and giving it shape-changing abilities, such as transforming it into a mace. [26] Appearances In One Piece Nami first appears in the manga chapter "Nami" (ナミ登場, Nami Tōjō), first published in Japan's Weekly Shōnen Jump magazine on September 22, 1997. [4] She first appears as a thief who robs treasure from pirates, and partners with Luffy and Zoro after joining forces to obtain a map of the Grand Line from the clown-like pirate Buggy. As the crew defends the seafaring restaurant Baratie from Don Krieg's pirates, Nami learns of a bounty on the fish-man pirate Arlong and departs with the crew's ship and accumulated treasure, intending to buy back her home village Cocoyashi from Arlong's control. The crew learns of Nami's past from her adoptive sister Nojiko: Nami and Nojiko were orphaned infants rescued from a war-torn kingdom and adopted by the Marine Bellemere, who raised them as her own.