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In 2019, Watanabe joined director Motonobu Hori at MCM London Comic-Con to talk about Carole & Tuesday, musical influences on Cowboy Bebop and more. There’s no Bebop without legendary composer Yoko Kanno, and she returns for the Netflix live-action to serve up a new score. The music of Cowboy Bebop lives large over 20 years later, not just for its jazz-driven space-noir uniqueness but also for how it helps to further convey the emotions of characters in a particular scene. In an interview with Otakon in 2013, Watanabe said this about Kanno’s influence: “[I] took inspiration from [Kanno’s music] and created new scenes for Cowboy Bebop. Then she would be inspired by [my] new scenes and they would give her new ideas for music. ”Eagle-eyed fans of the series will also note the symbolic fusion of music and narrative in the Cowboy Bebop episode titles, also known as “sessions,” to emulate a jazz feel. Each session of the anime ( e. g. , “Session 14: Bohemian Rhapsody” or “Session 7: Heavy Metal Queen” ) is titled after some musical pop-culture reference, and the Netflix live-action also shares that same sentiment (ie: “Session 2: Venus Pop” or “Session 1: Cowboy Gospel”). And you’ve got to admit, talking about your favorite session instead of using the plain old episode verbiage is a pretty cool piece of Bebop lingo amongst the fanbase. If you’re hungry for more musical lore, you can find out more about the history, legacy, and composition behind the Cowboy Bebop soundtrack with The Ringer’s The ‘Sound Only’ Guide to ‘Cowboy Bebop’ on Spotify.Seiji Kishi once again directed the series at Lerche, while Norimitsu Kaihō wrote the screenplay. [69] The Danganronpa development staff have stated that, while difficult to work on both titles simultaneously, they are giving it since the opportunity to do something like it does not come up often. [37] Initially, an anime adaptation of Danganronpa 2 had been planned, but in the end the development staff opted for making an anime that takes place after Danganronpa 2 instead,[37] as Kodaka felt that the Danganronpa 2 characters' story had ended within that game and that he could not write another about what happened to them afterward very easily. [70] While class trials had originally been considered, it was thought that it would have been too painful for the characters to sit through another one, which was what led to the decision to make the conclusion into an anime. [37] The series was licensed for simulcasting by Funimation. [71] Despite episodes alternating between the Future and Despair arcs when it originally aired, Funimation groups the episodes by arc on its streaming service. [72] An original video animation titled Super Danganronpa 2. 5: Komaeda Nagito to Sekai no Hakaisha, was bundled with Danganronpa V3 in Japan on 12 January 2017. [73] Music[edit] Main article: Music of the Danganronpa series The original soundtracks for both the games and the anime are composed by Masafumi Takada. The soundtrack for Danganronpa: Trigger Happy Havoc was released in Japan by Sound Prestige Records on 14 February 2011, with the ending theme, "Saisei -rebuild-" (再生 -rebuild-, Playback -rebuild-), performed by Megumi Ogata, which is also used as the anime's final ending theme. The soundtrack for Danganronpa 2: Goodbye Despair was released on 31 August 2012.
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