hanakotoba list
^ Azuma 2009, pp. 49–50. ^
Clements &
McCarthy 2006, p. 221. ^ Saito & Azuma 2009, p. 125. ^ Telotte, J. P. (2008). The
Essential Science Fiction Television Reader. University Press of Kentucky.
However, when he was about to hit Gedo, he was hit by a right uppercut. Ippo attempted to do another dual exchange, but he could not reach him even though he was hit as the third round came to an end. Ippo was unable to get a good hit on Gedo from the fourth to the sixth round, and was repeatedly hit with counters and uppercuts when he got close. After the sixth round, Ippo was told two things from Kamogawa: to keep his neck pulled in as tight to his shoulders as possible, and to stop Gedo's movement when he closes in, which Ippo gathered
that he should throw a liver blow. Ippo using the Heart Break Shot on Gedo. In the seventh round, was at first pushed back by Gedo's lefts. However, after remembering Date telling him that his fists are light, Ippo felt that Gedo's fists are light as they are fists that only hold onto money and that they do not hurt. Ippo kept his neck tight and charged toward Gedo, getting to his chest. After dodging a right uppercut, Ippo delivered a liver blow. The
punch did not stop Gedo's movements as it only grazed him, leading Ippo to charge forward with his neck tight against Gedo's lefts again. When Ippo got to Gedo's chest, he perfectly dodged the right uppercut, however, Gedo quickly blocked his chin and his body.
Everything that happens and anything the characters say or do are all done as willed by the Writer, thus nothing happens in the Stage unless it is intended by the Writer.
In the Shadow, the
comic world is temporarily detached from the Writer's control. All characters can move or act freely while spaces or objects that exist in the comic world but are not yet drawn by the Writer act strangely (e. g. floating,
moving in reverse). Those who have gained self-awareness (e.
