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La comédie musicale est née d'une idée de la musicienne Abigail Barlow sur TikTok en collaboration avec sa partenaire musicale, la compositrice Emily Bear[43]. Ils écrivent des chansons depuis janvier 2021, qui ont reçu le soutien de Netflix et de l'écrivaine Julia Quinn. L'album The Unofficial Bridgerton Musical a remporté un Grammy du meilleur album de théâtre musical aux Grammy Awards 2022[44],[45]. Pour le 50e anniversaire du John F. Kennedy Center for the Performing Arts, Barlow et Bear ont interprété Oceans Away avec Darren Criss[46]. Après leurs victoires aux Grammy Awards, ils ont tous deux joué dans The Today Show[47], où ils ont interprété la chanson Burn for you[48]. Séries dérivées[modifier | modifier le code] Article détaillé : Queen Charlotte: A Bridgerton Story. À la suite du succès de la série, un spin-off sous forme d'une mini-série centrée sur les jeunes années de la reine Charlotte, de Violet Bridgerton et de lady Danbury est prévu. Shonda Rhimes signera le scénario et assurera la production exécutive de la série, aux côtés de Betsy Beers et Tom Verica[35]. En septembre 2022 Netflix dévoile le titre; Queen Charlotte: A Bridgerton Story, un teaser, et une date de sortie pour 2023[49]. A cette occasion il est révélé que c'est India Amarteifio qui interprètera la jeune reine Charlotte et Corey Mylchreest le jeune roi George III[49],[50],[51].

Obligatory Disclaimer for potential blind people, this is a preliminary review and MAL allows for one post-watching three episodes so it's perfectly valid review. I can turn out to be entirely wrong later on like I was with my Eminence in Shadow review. So don't come to my profile after consuming laxatives for the brain unless there's anything useful to say. Just put confusing emoji and move on. Reviewer’s Rating: 6 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by tokomata (15) Show allRead moreShow lessOpen Gift Report
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More newsRecent News'Shangri-La Frontier: Kusoge Hunter, Kamige ni Idoman to su' Reveals Additional Pair of Cast, Fourth Promo The official website of the Shangri-La Frontier: Kusoge Hunter, Kamige ni Idoman to su (Shangri-La Frontier) television anime unveiled additional pair of cast member. read more Nov 26, 2023 12:57 PM by DatRandomDude | Discuss (5 comments) Fall 2023 Simulcast List [Update 10/22] In this thread, you'll find a comprehensive list of television anime acquired for simulcast release during the Fall 2023 season. Anime series licensed for home .

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Archived from the original on May 24, 2014. Retrieved May 23, 2014. ^ a b "第13回 2004年8月25日放送 あらすじ". Fuji TV. Archived from the original on May 24, 2014. Retrieved May 23, 2014. ^ a b "第10回 2004年7月28日放送 あらすじ". Fuji TV. Archived from the original on May 24, 2014. Retrieved May 23, 2014. ^ a b "第11回 2004年8月4日放送 あらすじ". Time and time again, we are told about what this environment is like, the religion aspects, the creatures, how the world works, but we don’t really get enough showing of the environment itself, either through simple background shots, or just cutting back on the expository dialogue. There is no need to spoon-feed the viewers every single narrative detail about what is going on, people can figure things out. There was solid potential in what the environment could bring us, but I wasn’t really invested due to the overly saturated dialogue.
The characters felt interesting at first, but slowly also devolved into being rather gimmicky or generic. Gabimaru is the typical protagonist who starts out cold but ends up warming up to people and becomes more kind. For the female characters, there is a sense of empowerment that they were trying to go for, especially with Sagiri looking to escape gender norms and become a samurai, instead of the “norms” that this anime instills upon women. While on its own this would be a cool concept, the fact that all the female characters were so sexualized, and somehow getting saved via princess carry, defying all logic of physics by the men just felt a bit hypocritical to the potential message the show was trying to convey. Furthermore, people died before we could even really have a chance to know them, and adding a sad backstory to try and make us feel emotions just felt like such a weak way for characterizing them. At least the backstories weren’t too saturated after the first few episodes.
From a production standpoint, the show looks fine, but disappointing by MAPPA’s standards. Some of the fight scenes were genuinely very decent and tense, but the other moments of the show had this very weird filter where the characters didn’t really “fit in” with the background art.