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Retrieved May 29, 2020. ^ "岸辺露伴は動かない 2". S-MANGA (in Japanese). Shueisha. Archived from the original on June 4, 2020. Retrieved May 29, 2020. ^ 死刑執行中脱獄進行中. Media Arts Database (in Japanese). Agency for Cultural Affairs. Archived from the original on June 4, 2020. Retrieved May 29, 2020.One character’s power is deliberately ironic relative to their anxiousness at what life actually has in store for them. One episode ties the thread between school and concentration camp in a similar but more subdued vein to Pink Floyd’s The Wall. Twice amidst all the exposition, it’s paraphrased that having the opportunity to decide your own future, and not have it manipulated by others, is the best way to hope to make it through life.
I understand the intention for that demographic, but as I currently see Sonny Boy, much of the characterization is too loose and confusingly dolled out for any growth to be truly meaningful.
Take Nagata himself, the main character. At the start, he feels downbeat and dejected, content to lie on his ass while staring at the ceiling.