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And to be honest I have nothing against either genre in principle – I enjoy shows like Konosuba and Non Non Biyori. However the key component those shows have that Kamitachi ni Hirowareta Otoko lacks is characters that are fun to watch. Kazuma, Megumin, Aqua, and Darkness may not be particularly complex characters, but they are at least distinct and play off each other well. It doesn’t matter that the plot of Konosuba mostly involves the main cast bumming around one city, because their dysfunctional antics make me laugh and want to keep watching.
Kamitachi ni Hirowareta Otoko’s characters have no such uniqueness. Pretty much the only defining feature of all of them is that they all love Ryouma and think he’s amazing. There’s a noble family, some guard people and staff for the family, some adventurer animal-girls that appear at some point and just join the pack of people following Ryouma around, and some staff Ryouma hires for his free slime labor laundry business. Beyond their appearances and roles I don’t think I could explain any of these people. They all just stand around spouting expository dialogue or more blandishments about Ryouma and his amazing magical abilities. The other character that gets the most screentime is probably the noble family daughter, which the show uncomfortably sets up as a romantic interest for Ryouma. They do try to justify this by saying that Ryouma’s mind is degenerating back to that of an eleven-year-old, which is pretty damn terrifying if you think about it.

Retrieved September 13, 2023. ^ "VIZ Media . products - YuYu Hakusho, Vol. 19". Viz Media. Archived from the original on November 23, 2011.

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2. [29][30] The series moved to the digital anthology Weekly Shonen Jump Alpha in January 2012 and Viz Media released it digitally as Shueisha published new chapters in Japan. [31][32] The first volume on English was released on July 6, 2004,[33] and the last volume–the 74th–was released on October 2, 2018. [34] Viz also released a hardcover "collector's edition" of the first volume that came with a dust jacket,[35] two box sets,[36][37] and twenty-five "3-in-1 edition" volumes between June 7, 2011,[38] and March 5, 2019. [39] Viz Media released first 16 volumes in English digitally on June 17, 2011,[40][41] with the 74th released on October 2, 2018. [42] A 73-page chapter, titled "New Breathes From Hell" (獄頤鳴鳴篇, Gokui Meimei-hen), was published in Weekly Shōnen Jump, to commemorate the 20th anniversary of the manga's debut in the magazine, on August 10, 2021. [43] It was published in English by Viz Media's Shonen Jump online magazine and on the Shueisha's Manga Plus online platform. The one-shot ends seemingly on a cliffhanger; the character for "hen" (篇), used in the Japanese title of the chapter, is usually used to denote the title of a story arc. [44] The chapter was digitally released as a collected volume on December 3, 2021. [45] A full-color version of the chapter was published digitally on September 4, 2023. [46] Anime[edit] Main articles: Bleach (TV series) and List of Bleach episodes Bleach was adapted by studio Pierrot into an anime television series directed by Noriyuki Abe and broadcast for 366 episodes on TV Tokyo, from October 2004 to March 2012. That’s honestly a real shame cuz on top of being a popular retelling of an anime from the ’60s, it's a 2000s samurai anime displaced in time. Furthermore, one of the main protagonists fights demons and samurai with swords for limbs! That sounds pretty cool, doesn’t it? Then halfway through the show, you realize . the cool moments are rendered moot and surrounded by mediocrity. Even worse, the show lost a lot of stream after peaking early on, causing the second half to become especially bothersome given the lackluster writing that permeates it.
If nothing else, Dororo makes for a generally well-produced spectacle of samurai battles and bloodbaths. Even outside of the fight scenes, there are some incredibly well-animated sequences, like whenever demonic lightning would flash or when people or demons were burnt to ashes. At their best, the battles are crisp, fluid, and decently choreographed, with lots of sakuga moments where characters clash blades and get hacked to pieces. At their worst, they’re short, barely animated, and often replaced by animation shortcuts like static character portraits flashing in one after another, or slash marks on a black screen being followed up by a lack of anything satisfying, juicy, or vivid. The production values also worsen throughout the third quarter of the show in general, with bad CGI water, unriveting choreography and barely-animated fight scenes, several awkward shots and animation cuts, and overall inferior character models and animation throughout.